littleâas you put itâlethal town.â
âI thought you said it had changed.â
âWell, itâs still
kind
of lethal, but câmon, kid. Stop angst-ing around. Try it.â
âDream on.â
âI donât, that well,â Penny said sadly. âYou were always our dreamer.â
âIf I stay, she wins.â
âYouâve got it ass-backwards.â
âIf I stay, she loses?â
âIf you run, she wins. You confirm her idea that youâre a bad son, so she wins. And so do Milt and I, financially.â
He stared at her. âYouâd rather have the money, wouldnât you?â
âMilt would. I would not, no.â
âYeah, I believe that.â He got up to go. âCelestina has your phone number. If she calls, please donât tell her anything about any of this. Just get her number and tell her to call me at Selmaâs.â
âOkay.â
âThanks.â He walked across the street and into the house.
Between the jet lag and the bourbon he was asleep on the couch by seven that evening. Sometime around two in the morning, he sat bolt upright, sure that someone was there. Not seeing anyone, he tiptoed through each bare, clean room. Nothing.
He found himself in the seven-sided turret overlooking the square, his childhood bedroom. The room was empty, the floor freshly urethaned. Looking around, Orville was overwhelmed by a sense of barrenness, a sense of all that had happened in this room that had been lonely and sad and crazy. He backed up against a wall as if for protection, but felt dizzy, as though he were balancing on tilting planes of a recurrent childhood nightmare. He closed his eyes and slid down the wall to the floor, grabbing his knees and pulling them up to his chest. He thought of all the hours, all the years heâd spent alone in this room in this town.
What a waste. What a damn waste.
A desperate sadness filled his chest and rose in his throat. His heart beat fast and his mind went shallow, like a lake at night or a field in winter. The shallowness ran to the horizon. Blinking, he looked again around the empty room, recalled the lonely effort to understand without being understood. He felt the losses, the loss of the possibility of being brave and daring rather than shy, of being a believer instead of a cynic, of being loving rather than beingâat those key moments of closest approach to anyoneâawash in dread.
âBarren,â he whispered, and in the empty urethaned heptagon a faint echo overlapped his whispering âbarrenâ again.
âWhoâs barren, honey-bunny?â
He jumped, looked around. She was hovering outside at the level of the second-story turret window, one hand resting on the golden ball on top of the flagpole. Once again wearing the cobalt-blue gown with hair and makeup in the style of the early â50s: black eyebrow pencil, blue mascara, red rouge, and lipstick the scarlet of those pesky little bleeders you get in scalp lacerations. And her face was beautiful! Unmutilated. It was Selma before the operation. She hovered, an expectant look on her face, waiting for an answer.
He blinked, shook himself, looked away, then looked back. Still there. He walked closer to the window. She let go of her hold on the flagpole and floated up and down slightly, as if on ripples of the breeze. Had he gone crazy? He knew from his doctoring that the bereaved often have visions of the dead in the weeks and months following the deathânot only visions but conversations, as if they were really present. âPresences,â they sometimes called them. Should I talk to her? Why not? Maybe, dead, sheâll be nicer?
â
This
is barren,â he said, gesturing around the room, and in as conversational a tone as he could muster. âAll of this. My life here.â
âNow wait a sec, Mr. Big Shot.
We
werenât barren. Sol and I raised two kids, one very successful, and
Michael Perry
Mj Summers
Amelia Atwater-Rhodes
Zoe Chant
Molly McAdams
Anna Katmore
Molly Dox
Tom Clancy, Mark Greaney
Mark Robson
Walter Dean Myers