you, well, moderately successful. One grandchild. We waited for a grandchild from you, but oh no, not you, you just wouldnât give us one. Not even
one!
The barren one is
you.
â
âGo away,â he said.
âI am away.â
âLeave me alone.â
âThatâs not how it works.â
âHow does it work?â
âYou leave
me
alone! I gave my life to you and your sister and now you run away again? Just like your whole life. Run away from love. Run, run, run. Runaway. And then you sit here in your old room mooning around about yourself? Total selfishness. I mean, did I sweeten the pie or what? Solâs hard-earned dollars, the very lovely home, the customized New Yorker with only thirty-four thousand and some miles on it?
Oy gevalt!
â
âWhat do you mean I have to leave you alone?â
âDare you to stay, honey-bunny.
Ciao!
â
Doing a barrel roll like one of Solâs radio-controlled fighters, Selma flew stomach down in a nosedive toward the square, pulling out at the last second and then rising, rising, that hefty nose cutting the air like a rocket, banking around the green copper dome of the courthouse and away. Gone.
Orville ran downstairs and out into the town.
It was a hot, hazy summer night. The particular NOW on his watch was where the three might have been. He walked along Washington Street, the spine of the town, the spine of a humpbacked whale whose ribs were the eight ruler-straight cross-streets numbered First through Eighth, each curling down into the South Swamp through which heâd walked into town, and down into the North Swamp stretching toward Albany. Why the meticulous grid? Bizarre, in this town where breakage rules.
He found himself facing the General Worth Hotel. In the dead quiet on the deserted street, he stared at the condemned hotelâs sagging front portico, the whole right side flaccidâlike his motherâs half-paralyzed face. It was almost as if it, too, were talking to him, talking awkwardly, slurring its words the way she, with the half-dead lip and tongue, often slurred hers:
âSave me! Iâm half-dead. They wanna blow me up and finish me off. Youâre a doctor, save me! Iâm âWorth Saving,â arenât I?â
Orville blinked in astonishment. Now a building is talking to me? He listened more closely. Nothing.
He ran home. Drank some more bourbon, lit a Parodi, and turned on the TV .
Nuns were dancing, interrupted by The Man With the Vegematic.
The phone rang. His heart raced.
âHello?â
â
Caro?
â
âThank God!â
âI was so worried when you didnât call.â
âI lost the number, forgot the name of the place.â
âTell me
tutto
âeverything!â
âI love you!â Orville said, choking up.
âAnd I love you, too!â
âI love you so!â
âAnd I you. I was so afraid, not hearing anything, maybe you fell out of our love.â
âNever! Iâve got my flight back.â
âAnd now I am glowing all over my body with your words, your spirit. In my very toes,
mio dito del piede!
When do you arrive and where?â He told her. â
Bene.
I will meet you in Milano. Now, tell me
tutto, pronto.
â
He told her about Selmaâs will, although, taking heed of her warning never to talk to her about money, merely said that there was possibility of some money if he stayed. âBut the reason she demanded that Iââ
âHow much money?â Celestina asked.
âBut you said never toââ
â
Sì, sì,
but this is
fatto,
the fact. It is okay to tell me.â
âJust under a million dollars. And the house and the Chrysler.â
Silence on the line.
âHello?â Orville said. âCelestina? Hello?
Hello?
â
âI am here,
caro.
Tell me everything else.â
He told her some things but couldnât tell her about his desperate sense of barrenness, about
Laura Dave
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John Moffat
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Lynda La Plante
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