Seiobo There Below

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Authors: László Krasznahorkai
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a statue that — in the opinion of the committee in charge of the cultural heritage of the prefecture — bears particular value, yet its condition has, in the course of the centuries, greatly deteriorated, and the restoration — as the abbot and the leadership of the five main rinzai temples have decided — can be delayed no longer; Inazawa simply isn’t interested, not even in the slightest, in what is occurring in this Zen monastery somewhat secluded from the city; it is only the most extravagant spectacles that arouse any interest: for example the yearly Hadaka Matsuri, in which men, almost completely naked except for their fundoshi — that is to say a small loincloth — carouse drunkenly on the streets along the path of the Naked Man; following a tradition now completely empty, every February the residents have to reach out and touch them, to preserve the city from Evil; yes, that is needed here, this Shintō circus, this entertainment, because that is the single event that is not only inundated with tourists, but also followed even by the NHK in Tokyo, broadcasting at these times a crowded scene for several long minutes; no, the imagination of the residents of Inazawa is not moved by an insignificant rinzai temple, and especially not this one, this Zengen-ji — if they have any imagination at all, for even their brains are now used to the industrial grayness; life here, and anything that could be imagined about it, is monotonous — the Zengen-ji, really, is just as gray and lifeless as everything else here, people shrug at the textile factories or the assembly lines, and it will remain like that, this general lack of interest, even in the very last week, no curiosity whatsoever arises; yet there inside, in the monastery, the excitement is palpable, at last something is going to happen, the monks — understandably excluded from the Hadaka Matsuri — are thinking to themselves, at last an end to these monotonous days, to the weeks and the months if not years, a sudden and extraordinary change is coming — for this can after all be called sudden and extraordinary, taking the view from the inside, if the Amida statue of the Zengen-ji, which according to the expert opinion and the temple clerisy, is of far greater worth than that claimed in the documents issued by the prefecture committee, after long procrastination, the decisive reason for which is the torturously difficult procurement of the enormous restoration costs, as well as the delivery arrangements, which proved to be similarly complicated, and to a lesser extent that they are not happy to move the most sacred of sacredness from its place; in short, this treasure, exceeding its estimated and presumed worth many times over, would simply be picked up and moved, well, this really counts as an extraordinary event, although understandably even the wisest among them did not reach this decision willingly, indeed, certain individuals, seeking a suitable date between the summer and the winter ango, explicitly delayed the transportation, for truly such an occurrence as this was so rare — they shook their heads — here in the monasteries of Aichi prefecture, no one could recall any such event, and in truth even the abbot — himself of wide-ranging experience — and the most respected monks did not know for a while what the ritual requirements actually would be; whatever was needed to be done they would of course do; one thing was certain, it took months for the leading authorities to acquaint themselves with the ritual stipulations prescribed for such circumstances, and it must be acknowledged that they were prepared for a difficult task, demanding great caution, but not for one so exhausting, complicated, and intricate; one that in addition required practice; that is to say that all of the monastery residents had to be trained so that everything would follow according to plan, the authorities had to expand upon the tiniest details in their explanations; even if

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