to get out, the abbot notes to himself, everyone remaining on the temple grounds knows this, all who could, as well as those who had to remain inside, are aware, but it is felt by those, too, who attempt to follow the so-called secret events from without, because there are, for that reason, a few standing around out there on the street by one of the gates, trying to listen, to figure out, somehow, what is going on inside, smaller groupings of lay believers, recruited by happenstance simply from local elderly insomniacs, standing at the monastery gates that are positioned according to the four directions; or there are those who aren’t too sluggish to get dressed and come here at the crack of dawn, so gnawed by curiosity — surely nothing like this had ever happened before, they mutter in front of the gates, instead of opening the gates they’ve shut them, or rather the gates are closed — and there they stand, and they would not be willing to move from there for any sum of money, they try to capture some sense from the half-audible voices of what is going on in there right now, well, and even if something like that emerges, they can’t get too far with such sounds, even if they hear from a distance the silent shuffling coming from inside, as the monks, after the chanting of the sūtras filters out, walk in procession, to the rhythm of the mokugyo and the handbells, from the zendō to somewhere, indeed, as they largely agree at each gate, they are most likely walking toward the Buddha Hall, the hondō, and even if they hear that, even if they can agree that yes, it’s the Buddha Hall, they can only be going toward the Great Hall where the Amida Buddha is located, they know nothing of the ceremony itself, and that is really how it is, for here the listeners, at all of the gates, are mistaken when it comes to this, for the entire monastic collective, after the recitation of the sūtras in the zendō, are really not proceeding toward the Great Hall of the Buddha, but in the opposite direction, away from it, the farthest possible distance from the Hall of the Buddha, in actuality, to their own quarters, to seclude themselves and to wait: since during the so-called secret ceremony, beginning with the truly secret rituals of its commencement, no one else may be present, only the jushoku and two older rōshi, as well as the jikijitsu and three jōkei in all — these being three assistant monks chosen for the occasion who handle the instruments of the Buddha Hall — only them, seven in total, so that not only the curious crowd outside, but even they, the resident members of the order, listen in vain to the sounds of the keisu, the rin, or the mokugyo filtering out from time to time, in vain does a seemingly familiar phrase from one of the sūtras strike their ears, they haven’t the slightest notion of the secret part of the ceremony nor will they ever, and they could never even form any notion of it, for only the following sections of the Hakken Kuyo ritual, coming after this truly secretive beginning, concern them, only then can they take part, and for all that they must do so with great devotion and a great sense of duty, when they gather again, emerging from their quarters, and proceeding together in the same direction, toward the hondō, because then their shuffling truly means that they are proceeding to the sound of the densho, the great drum, proceeding to the hondō, into the Great Hall where the Buddha sits — and as they, the monks, the residents of Zengen-ji, take their places before the Buddha’s infinitely radiating gaze, something irrevocable has happened.
Something has happened to it, immediately they sense this, as they sit down in their respective places in the Great Hall facing the lotus throne, but of course it doesn’t pass through their minds that this infinitely diffusing gaze is no longer here , they don’t think about that at all, not even because they don’t dare to look at it; their heads are
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