Connoisseur ,â I say. What the heckâIâm getting paid enough. A few magazines arenât going to make a dent in my paycheck.
âThrough the door beside the coolers and down one flight,â the man behind the counter says.
As I head down the narrow aisle toward the coolers, I glance in the security mirror at the back of the store. The man at the counter, the owner, is watching me.
Going through the door beside the big Coke-sponsored cooler is like stepping from Oz back into Kansas. The tile floor in the store sparkles. The wooden floor on the other side of the door is dingy, scuffed and slightly warped. The lights in the store are blindingly bright. On the other side of the door there is only a single naked lightbulb that makes the places it doesnât hit look inky and a little spooky. The walls of the store are chock-a-block with neatly displayed and colorful products. The walls of the small room are bare except for a car dealership calendar that hangs from a nail directly above a battered old table and chair. On the table is an adding machineâI didnât even know those still existed. Next to it is a two-drawer olive green filing cabinet. On the wall, in an ancient fixture with a pull chain, is another naked light-bulb. This is where the owner does his accounts. To the left of the door is a flight of wooden stairs. But I donât go down it.
Instead, I listen. Itâs quiet in here. Itâs also quiet out in the store. I tiptoe over to the desk. Iâd been expecting a computer, but there isnât one. I open the top drawer of the filing cabinet. Itâs jammed with files. I thumb through them, looking for the one Iâve been sent to find. I donât see it. I close that drawer, open the next one and thumb through more folders.
Bingo! There it is, neatly labeled.
I pull it out and scan the sheets inside. They look like the ones that were described to me. I dig the miniature cameraâa spy camera, if you can believe itâout of my pocket and photograph every sheet. I put everything back into the folder and replace the folder in the file cabinet. I tuck the camera into my pocket. I start back to the door.
Before I get there, I hear the man behind the counter yell somethingâa name. Iâm about to push the door open and go back into the store when I hear a different voiceâa familiar one. This has never happened to me before. I decide to wait. If I go out there, Iâll be recognized. If Iâm recognized, Iâll be exposed. If Iâm exposed, Iâll have to abort my mission. And if I abortâ¦letâs just say I donât want to kiss my paycheck goodbye.
o rca s o undings
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