Satin Island

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Authors: Tom McCarthy
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or that one not turn out, in additionto whatever other function it performed, to be the spur to set the Great Report, by happy accident, agalloping? Although I had done nothing concrete to begin the thing, simply being under starter’s orders in this way lent a background radiance, a promise of significance, to everything I did. At the same time, it sent my general levels of anxiety, already high, still higher.
    6.11 Back in my basement, in between various new tasks demanded of me by the Koob-Sassen Project—and against the constant, second-level mental puzzling laid down for me since my first day at the Company by this separate, all-important charge, this Great Report—I started a file on parachutists. Dead ones: ones whose parachutes had failed to open. It’s surprising how many times the story, or a variant on it, pops up: like oil spills, it’s generic. Even when I’d first read, on the tube, the initial three-line article about the episode, I’d had a sense of déjà-vu, a sense of having read this article, or one very like it, at least once before. Oh, a dead parachutist: one of those . Everyone can recognize and understand that situation. Before I’d ever heard of Vanuatans, the first joke I learnt to tell as a child was about a classified ad for a used parachute, “no strings attached.” To the anthropologist, as I explained before, it’s generic episodes and phenomena that stand out as significant, not singular ones. To the anthropologist, there’s no such thing as a singular episode, a singular phenomenon—only a set of variations on generic ones; the more generic, therefore,the more pure, the closer to an unvariegated or unscrambled archetype. The parachutist story, in the stark, predictable simplicity of the circumstance that it presented, in the boldness of its second-handness, was refreshing: in its unashamed lack of originality, it was original.
    6.12 The strange thing was, the more I started looking for dead parachutists, the more they started cropping up—in real time, I mean. Sure, I unearthed instances of parachutes failing to open, and suspicions being aired as to the cause, running back fifty years. There’d been a case in America where both main chute and reserve had ripped on opening, despite the odds against this happening from fabric fatigue alone being about ten million to one; and another one in Australia where a harness had quite inexplicably caught fire in mid-air; and so forth. But, in the very period during which I was compiling these cases—a period of no more than two and a half months—no less than three more stories hit the news involving parachutists slamming into the ground chuteless. They weren’t in England: one took place in New Zealand; one in Poland; one in Canada. And, of course, the particulars varied—but they all involved suspected acts of sabotage; and none of the cases, over this same period, was resolved. The replication, or near-replication, of these situations started buzzers ringing all over my head—and made the case of my own parachutist, the unfortunate soul whose death had snagged my interest in thefirst place, all the more gripping: an originally un-original event becoming even more un-original, and hence even more fascinating.
    6.13 One day, I went to Paris, and conducted the same type of staged enquiries that I’d carried out in London: a group of financial-service workers this time. There was no mirror; but I had a translator beside me, repeating phrases I’d half-understood on their first iteration softly in my ear. I left in the morning and came back in the evening. Daniel was right: the streets are all tarmaced and smooth. I hadn’t noticed that before. I also noticed that the Eurostar trains have a small but niggling design fault: when they attain top speed, the vacuum created beneath their undercarriage sucks the surrounding air in and funnels this on upwards through the intermittently open toilet flaps, with the result that urine blows

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