Take it, youâll feel weaker tomorrow if you donât eat something.â
I took the cup from her.
She sat down next to me, uninvited. âIâve heard this song before. I know sheâs singing in German, but I donât completely understand the lyrics,â she said.
I spooned the warm soup into my mouth. âSheâs saying itâs not the end of the world.â
The nurse folded her legs up under her skirt and rested her chin on her knees. âWell, thatâs good to know. Itâs nice to hear music. At the hospital, we sometimes played music for the patients. The soldiers loved the song âLili Marleen.ââ She looked at me. âDo you know it?â
âNo,â I lied.
âItâs beautiful. Itâs about a boy who longs to see his sweetheart.â
I wasnât going to correct her, but the song was based on a poem written by a German soldier during the first war. The song was about him meeting his girl under a lamppost. Then he leaves for war. By lantern under a barricade he thinks of his
Lili of the lamplight
.
âSo you like to dance,â she said. It was more of a comment than a question.
âMe? No.â
The shoemaker glided over to us. âCome, my dear Lithuanian, let us have a dance.â He extended his knobby hand to the nurse. âDo you understand what she is singing?â
âOf course.â She smiled. âSheâs saying itâs not the end of the world.â
âVery good! Let us dance and celebrate. Tonight we sleep as aristocrats,â said the shoe poet.
âI doubt the aristocrats slept on the cold floor,â the nurse whispered to me before accepting Poetâs hand. I wanted to laugh, to keep talking with her, but instead I said nothing.
The shoemaker danced her around the room, holding her appropriately and closing his eyes. He had probably danced with a lot of pretty girls in his day. He seemed like a wise man, a kind man. I imagined he worked by oil lamp, cutting and sewing leather well into the night. He probably employed an apprentice and taught him an honest trade, unlike Dr. Lange, who had lured me with lies.
Lange must have considered me an easy target. I was so eager, captivated by all the old paintings, staring at them for days until they confessed their secrets to me. Dr. Lange taught me to carefully dissolve and remove discolored varnish. I studied pigments and tinting to match antique patinas. We spent months experimenting with the methods the old masters used to create real gesso. I learned quickly. I came to recognize all the crack patterns and each type of canvas and stretcher used by every school of art. Dr. Lange was impressed with how quickly I could detect a repainting, fake, or touch-up. My restoration work always passed, completely undetected.
âStunning, Florian,â he would whisper over my shoulder. âYou, my boy, are the Reichâs best-kept secret.â
My boy.
My stomach turned with disgust. What an idiot I was. If I could detect a flawed painting so quickly, why had it taken me so long to see the truth about Dr. Lange?
The song ended and the nurse returned and sat down. I got up and carefully lifted my pack onto my shoulder. âI donât suppose thereâs a working commode?â
âYou can leave your pack.â She looked at me, her brown eyes earnest. âNo one will take it.â
I would not leave my pack. Ever. It had my supplies, my notebook, my future, my revenge. I walked across the stone floor, away from her. As I neared the tall doorway, the shoe poet raised his hand to stop me.
âWhat do you want?â I asked.
He stared at me and then looked down at my boots. âThe shoes tell the story,â he whispered.
My heel. He had heard the hollow in my step as I walked across the room.
He knew.
joana
Ingrid sat silently braiding her hair. âWhen will we reach the ice?â she asked.
The ice. The goal we trekked
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