Rise of the Governor

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Authors: Robert Kirkman
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the massive tarp-wrapped body and lower it into the hollowed-out earth.
    It takes them quite a while to get the hole filled back up, each man tossing spade after spade of rich, black Georgia topsoil on their friend. While they work, the atonal moaning of the undead drifts on the wind.
    It’s another blustery, overcast day, and the sounds of the zombie horde carry up across the sky and over the tops of houses. It drives Philip nuts as he sweats in his denims, heaving dirt on the grave. The oily, black, rotten-meat odor is as strong as ever. It makes Philip’s stomach clench as he puts the last few shovelfuls of earth on the grave.
    Now Philip and Nick pause on opposite sides of the huge mound, leaning on their shovels, the sweat cooling on their necks. Neither says a word for a long moment, each man lost in his thoughts. Finally, Nick looks up, and very softly, very wearily, and with great deference, says, “You want to say something?”
    Philip looks across the grave at his buddy. The moaning noises are coming from all directions like the roar of locusts, so loud Philip can barely think straight.
    Right then, for some strange reason, Philip Blake remembers the night that the three friends got drunk and sneaked into the Starliter Drive-In Theater out on Waverly Road and broke into the projection booth. Waving his fat little fingers in front of the projector, Bobby had made shadow puppets appear on the distant screen. Philip had laughed so hard that night he thought he was going to puke, watching the silhouettes of rabbits and ducks cavorting across the flickering images of Chuck Norris spin-kicking Nazis.
    â€œSome folks thought Bobby Marsh was a simpleton,” Philip says with his head lowered, his gaze down-turned, “but they didn’t know the man. He was loyal and he was funny, and he was a goddamn good friend … and he died like a man.”
    Nick is looking down, his shoulders trembling slightly, his voice breaking, his words barely audible over the rising clamor around them: “Almighty God, in your mercy turn the darkness of death into the dawn of new life, and the sorrow of parting into the joy of heaven.”
    Philip feels tears welling up and he grits his teeth so hard his jaw throbs.
    â€œThrough our Savior, Jesus Christ,” Nick says in a shaky voice, “who died, rose again, and lives for evermore. Amen.”
    â€œAmen,” Philip manages in a faint croak that sounds almost alien to his own ears.
    The relentless din of the undead swells and surges louder and louder.
    â€œSHUT THE FUCK UP!” Philip Blake bellows at the zombies, the noises coming from all directions now. “YOU DEAD MOTHER FUCKERS! ” Philip turns away from the grave, slowly pivoting: “I WILL SKULL-FUCK EVERY ONE OF YOU CANNIBAL-COCKSUCKERS!!! I WILL RIP EVERY STINKING HEAD OFF EVERY FUCKING ONE OF YOU AND SHIT DOWN YOUR ROTTEN FUCKING NECKS!!!”
    Hearing this, Nick starts sobbing as Philip runs out of gas and falls to his knees.
    While Nick cries, Philip just stares down at the fresh dirt as though some answer lies there.
    *   *   *
    If there was ever any doubt about who was in charge—not that there ever was—it is now made abundantly clear that Philip is the alpha and omega.
    They spend the rest of that day packing, Philip issuing orders in monosyllables, his voice low and gravelly with stress. “Take the toolbox,” he grunts. “Batteries for the flashlights,” he mumbles. “And that box of shells,” he mutters. “Extra blankets, too.”
    Nick thinks that maybe they should consider taking two cars.
    Although most of the abandoned vehicles in the community are ripe for the picking—many of them late-model luxury jobs, many with the keys still in them—Brian worries about splitting the ragged little group into two. Or maybe he’s just clinging to his brother now. Maybe Brian just needs to stay close to the

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