other. But something has changed. The emergency has transformed into something darkerâa deathwatch.
âWe gotta get him inside,â Philip announces, now soaked in his friendâs blood. But Philip makes no effort to lift the fat man. Bobby Marsh is going to die. That much is clear to all of them.
Itâs especially clear to Bobby Marsh, who now lies in a state of shock, staring up at the gunmetal sky, struggling to speak.
Brian stands nearby, holding the nail gun at his side, staring down at Bobby. Nick drops the bandages. He lets out an anguished breath. He looks as though he might start to cry, but instead he simply drops to his knees on the other side of Bobby and hangs his head.
âIâIân-n-nnââ Bobby Marsh tries desperately to get Philip to understand something.
âSssshhhhhâ¦â Philip strokes the manâs shoulder. Philip cannot think straight. He turns, grabs a roll of bandages, and starts dressing the wound.
âNnn-n-NO!â Bobby pushes the bandage away.
âBobby, goddamnit.â
âNN-NO!â
Philip stops, swallows hard, looks into the watery eyes of the dying man. âItâs gonna be okay,â Philip says, his voice changing.
âN-noâit ainât,â Bobby manages. Somewhere way up in the sky, a crow yammers. Bobby knows whatâs going to happen. They saw a man in a ditch back in Covington come back in less than ten minutes. âS-ss-stop saying that, Philly.â
âBobbyââ
âItâs over,â Bobby manages in a feeble whisper, and his eyes roll back for a moment. Then he sees the nail gun in Brianâs hand. With his big bloody sausage fingers, Bobby reaches for the muzzle.
Brian drops the gun with a start.
âGoddamnit, we gotta get him inside!â Philipâs voice is laced with hopelessness as Bobby Marsh blindly reaches for the nail gun. He gets his fat hand around the pointed barrel and tries to lift it to his temple.
âJesus Christ,â Nick utters.
âGet that thing away from him!â Philip waves Brian away from the victim.
Bobbyâs tears track down the sides of his huge head, cleansing the blood in streaks. âP-please, Philly,â Bobby murmurs. âJ-just ⦠do it.â
Philip stands up. âNick!âCâmere!â Philip turns and walks a few paces toward the house.
Nick rises to his feet and joins Philip. The two men stand fifteen feet away from Bobby, out of earshot, their backs turned, their voices low and strained.
âWe gotta cut him,â Philip says quickly.
âWe gotta what?â
âAmputate his leg.â
âWhat!â
âBefore the sickness spreads.â
âBut how do youââ
âWe donât know how fast it spreads, we gotta try, we owe the man at least that .â
âButââ
âIâm gonna need ya to go get the hacksaw from the shed and also bringââ
A voice rings out behind them, interrupting Philipâs tense litany: âGuys?â
Itâs Brian, and from the grim sound of his nasally call, the news is most likely bad.
Philip and Nick turn.
Bobby Marsh is stone-still.
Brianâs eyes well up as he kneels next to the fat man. âItâs too late.â
Philip and Nick come over to where Bobby lies in the grass, his eyes closed. His big, flabby chest does not move. His mouth is slack.
âOh no ⦠Sweet Jesus Christ no,â Nick says, staring at his dead pal.
Philip doesnât say anything for quite a long time. No one does.
The immense corpse lies still, there on the wet ground, for endless minutes ⦠until something stirs in the manâs extremities, in the tendons of his massive legs, and in the tips of his plump fingers.
At first, the phenomenon looks like the typical residual nerve twitches that morticians might see now and again, the dieseling engine of a cadaverâs central nervous system. But
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