best.â
âI told you youâd like it,â Ty says, leaving the counter.
He was right. It is amazing.
Ty walks past me. âFirst things first,â he says, holding his hands out behind his back, reaching for mine. I hesitate, then grab for them. He leads me over toward the windows and a black baby grand in the corner.
Tony follows us, dusting his fingers along drum tops and piano lids as he goes. I am jealous; he can touch everything.
âYou play, right?â Ty asks as he sits me down on the black bench.
âI do.â
I wait for him to sit at the drum set next to me. It is pearly gray, like the sky before a storm. Instead he walks back over to the wall of guitars with Tony.
Of course he plays the guitar. He probably plays everything, including the glockenspiel.
âWhat about that one?â Ty asks, pointing toward a neon green Mustang.
Tony shakes his head. âNot today,â he says. âToo much flash.â
I agree, even though they havenât asked for my opinion.
Tony moves two guitars over and one guitar up. Ty nods, and Tony takes down a custom-built acoustic guitar, all black with a silver spiderweb painted on the body. He hands it to Ty.
âMore your style,â he says.
Ty tunes it, his head tilted.
There is no strap; he holds the guitar propped against his hip. I stare at his arms, picturing the muscles flexing under his Henley.
He walks toward me and starts to strum.
I raise my hands over the piano keys, my fingers wobbly because he has never actually heard me play and because Tony is watching.
âDeath Cab?â Ty asks.
I shake my head.
âTeen Spirit?â
âDefinitely not.â
âSublime?â He pauses. âCome on . . . everybody loves some Sublime.â
âYeah, everyone forty-five and over,â I say. âBesides, thatâs stoner music.â
He stops strumming. âDo you have something against stoners?â
âNot strictly speaking,â I say. Lord knows Iâve spent enough time with them.
Ty runs his fingers along the strings, thinking.
âI know,â he says. He nods like heâs had the best idea ever. ââYesterday.ââ
Yesterday? Nothing happened yesterday. It was two days ago I kissed you, I think.
He starts in on the first few notes of the song âYesterday,â and I freeze.
My hands plunk onto the keys. âYouâre kidding, right?â
Ty stops, too.
âWait . . . you donât like the Beatles?â he asks, looking suspiciously at Tony.
âNope,â I say, and Tony bounds toward me. He leans against the side of the black piano and reaches down. My hands are shaking for real now. I donât know what to expect.
âWell then,â Tony says, catching up my right hand into a tight, warm squeeze, âwelcome to a small and very exclusive club.â
âHappy to be here,â I say, relieved.
My reflection smiles back at me from the glossy piano top.
Ty stands in the middle of the room and sighs. âI canât believe Iâve found the two people in the world that donât like the Beatles.â
âBelieve,â I say, and play a series of twinkling, totally Lennonish notes.
Tony laughs and starts walking back to the counter. âNow that sounds like a Beatles song.â
âOkay,â Ty says. âPick something else. Your choice.â
He steps closer to the piano and rests the guitar against his hip again, waiting for me. I tuck my hair behind my ears and sit up straight.
âReady?â he asks.
âThis is weird,â I say, looking at him.
Ty shakes his head. âItâs cool, I play here all the time.â
âNo . . .â I say. âItâs just that I never see you standing up. Itâs weird.â
I swear I can hear Tony chuckling behind the counter.
âJust play,â Ty says.
So I do. I kick into it, hard and fast, playing the song we danced to in his
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