polite good-bye to Sarah.
When the door was closed, he turned to his wife.
âIs it important?â she said with a touch of curiosity he wanted to catch, nurture, and use.
âAn old man was murdered this morning,â he said. âAn old Jewish man.â
âAnd someone cares?â she said with what might have been sarcasm, a mode Rostnikov had seldom seen in his wife.
âI care,â said Rostnikov softly, though in truth it was less that he cared about the gnarled old man than about the manâs children, especially the woman with the bad leg and the edge of madness to her eyes. And, in truth, it was a case. Somewhere there was a man or woman, men or women, who had committed a crime. The crime had been handed to Rostnikov, and his skill was being challenged by the criminal, possibly by the procurator, and certainly by himself.
âI care,â he repeated, and moved toward the bedroom and the shower stall beyond, which he hoped would deliver warm water but from which he expected only a cool dip.
After Vera Shepovik had fired her rifle from the roof of the Ukraine Hotel, she had not wept. She had sobbed in frustration when the gun had jammed after the first shot. Veraâs plan had been to kill as many people as possible in case she was caught. She had seen the porter come through the door, weaving slightly, and had backed into the shadows, away from the edge, behind a stone turret. She had wept again in frustration, because she wanted desperately to shoot the obviously drunken little man. For a moment she even considered leaping from behind the protective bricks, beating the man to death with her rifle, and throwing him down to the street. It would have been a minor inconvenience. Vera was a robust woman, a muscular woman who at the age of forty had been an athlete, skilled at both the javelin and hammer. In 1964, she had just missed the Olympic team. That had been the highlight of her life. The lows had been far more plentiful.
First Stefan had been killed. They had told her it was an accident, but it had been no accident. It had been the first step in the conspiracy against her, a conspiracy by the state, the KGB, the police. She knew the reason, too. The steroids. They had urged her to take those steroids for competition and to prepare her for the Olympics. Now, even twenty years later, they were still warning her to keep her quiet, to keep her from creating an international scandal that might ruin the reputation of the Soviet athletic system. They had, of course, lied to her. One doctor had said she needed psychiatric help, but it was not a psychiatrist she needed; besides, the state didnât believe in psychoanalysis.
No, there was no one to trust. First it had been Stefan they had pushed in front of the metro at the Kurskaya station. Then her father had been murdered. They had said it was a heart attack, that he was seventy-eight years old, drank too much, smoked too much, but she knew the truth. One by one, as a warning to her, they had murdered people she knew. Sometimes they were very subtle. Nikolai Repin, whom she had gone to school with, was dead of some unknown cause. She was told this by another old acquaintance she happened to meet in front of the National Restaurant on Gorky Street. Vera had not seen Nikolai for at least ten years, but this woman, whose name she could not recall, had happened to meet her, had happened to mention his death. Vera was no fool. The meeting had not been by chance. It had been planned, another warning. She had been careful, so careful not to let them know, not to let her mother know of the conspiracy around her. Vera knew they were trying to poison the air in her small apartment, and so for years she had set up a tent in her room, a tent of blankets held up by chairs and the kitchen table. There was ample air under the blanket for the night, though there was always the slight smell of poison in the room each morning, and in the summer it had
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