as to be tough and bitter) and looks into his heart for welcome, welcoming love for his son. He finds instead a rumple of apprehensiveness in form and texture like a towel tumbled too soon from the dryer. He finds a hundred memories, some vivid as photographs and meaningless, snapped by the mind for reasons of its own, and others mere facts, things he knows are true but has no snapshot for. Our lives fade behind us before we die. He changed the boy's diapers in the sad apartment high on Wilbur Street, he lived with him for some wild months in an apple-green ranch house called 26 Vista Crescent in Penn Villas, and here at 89 Joseph he watched him become a high-school student with a wispy mustache that showed when he stood in the light, and a headband like an Indian's instead of getting a haircut, and a fortune in rock records kept in the sunny room whose drawn shades are above Harry's head now. He and Nelson have been through enough years together to turn a cedar post to rot and yet his son is less real to Harry than these crinkled leaves of lettuce he touches and plucks. Sad. Who says? The calm eyes of the girl who showed up at the lot today haunt the growing shadows, a mystery arrived at this time of his own numb life, death taking his measure with the invisible tapping of that neighborhood hammer: each day he is a little less afraid to die. He spots a Japanese beetle on a bean plant leaf and with a snap of his fingernail - big fingernails, with conspicuous cuticle moons - snaps the iridescent creature off: Die.
Back in the house, Janice exclaims, "You've picked enough for six of us!"
"Where'd Ma go?"
"She's in the front hall, on the telephone to Grace Stuhl. Really, she's impossible. I really think senility is setting in. Harry, what shall we do?"
"Ride with the punches?"
"Oh, great."
"Well honey it is her house, not ours and Nelson's."
"Oh, drop dead. You're no help." An illumination rises sluggishly within her sable, gin-blurred eyes. "You don't want to be any help," she announces. "You just like to see us fight."
* * *
The evening passes in a stale crackle of television and suppressed resentment. Waitin' for some lover to call .... Ma Springer, having condescended to share with them at the kitchen table some lumpy mushroom soup Janice has warmed and the cold cuts slightly sweaty from waiting too long in the refrigerator and all that salad he picked, stalks upstairs to her own room and shuts the door with a firmness that must carry out into the neighborhood as far as the butch women's house. A few cars, looking for hot stuff, prowl by on Joseph Street, with that wet-tire sound that makes Harry and Janice feel alone as on an island. For supper they opened a halfgallon of Gallo Chablis and Janice keeps drifting into the kitchen to top herself up, so that by ten o'clock she is lurching in that way he hates. He doesn't blame people for many sins but he does hate uncoórdination, the root of all evil as he feels it, for without coordination there can be no order, no connecting. In this state she bumps against doorframes coming through and sets her glass on the sofa arm so a big translucent lip of contents slops up and over into the fuzzy gray fabric. Together they sit through Battlestar Galactica and enough of The Love Boat to know it's not one of the good cruises. When she gets up to fill her glass yet again he switches to the Phillies game. The Phillies are being held to one hit by the Expos, he can't believe it, all that power. On the news, there is rioting in Levittown over gasoline, people are throwing beer bottles full of gasoline; they explode, it looks like old films of Vietnam or Budapest but it is Levittown right down the road, north of Philadelphia. A striking trucker is shown holding up a sign saying To HELL WITH SHELL. And Three-Mile Island leaking radioactive neutrons just down the road in the other direction. The weather for tomorrow looks good, as a massive high continues to dominate from the
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