up."
"Mother, I find that humiliating, that you've been begging Grace Stuhl to take you in."
"I haven't been begging, the thought just naturally occurred to the both of us. I'd expect to be bought out here, though, and the values in the neighborhood have been going way up since they banned the through truck traffic."
"Mother. Harry hates this house."
He says, still hoping to calm these waters, "I don't hate it, exactly; I just think the space upstairs -"
"Harry," Janice says. "Why don't you go out and pick some lettuce from the garden like we said? Then we'll eat."
Gladly. He is glad to escape the house, the pinch of the women, their heat. Crazy the way they flog at each other with these ghosts of men, Daddy dead, Nelson gone, and even Harry himself a kind of ghost in the way they talk of him as if he wasn't standing right there. Day after day, mother and daughter sharing that same house, it's not natural. Like water blood must run or grow a scum. Old lady Springer always plump with that sausage look to her wrists and ankles but now her face puffy as well like those movie stars whose cheeks they stuff cotton up into to show them getting older. Her face not just plumper but wider as if a screw turning inside is spreading the sides of her skull apart, her eyes getting smaller, Janice heading the same way though she tries to keep trim, there's no stopping heredity. Rabbit notices now his own father talking in his own brain sometimes when he gets tired.
Bitter lemon fading in his mouth, an aluminum colander pleasantly light in his hand, he goes down the brick back steps into grateful space. He feels the neighborhood filter through to him and the voices in his brain grow still. Dark green around him is damp with coming evening, though this long day's lingering brightness surprises his eye above the shadowy masses of the trees. Rooftops and dormers notch the blue as it begins to blush brown; here also electric wires and television aerials mar with their scratches the soft beyond, a few swallows dipping as they do at day's end in the middle range of air above the merged back yards, where little more than a wire fence or a line of hollyhocks marks the divisions of property. When he listens he can hear the sounds of cooking clatter or late play, alive in this common realm with a dog's bark, a bird's weep weep, the rhythmic far tapping of a hammer. A crew of butch women has moved in a few houses down and they're always out in steel-toed boots and overalls with ladders and hammers fixing things, they can do it all, from rain gutters to cellar doors: terrific. He sometimes waves to them when he jogs by in twilight but they don't have much to say to him, a creature of another species.
Rabbit swings open the imperfect little gate he constructed two springs ago and enters the fenced rectangle of silent vegetable presences. The lettuce flourishes between a row of bean plants whose leaves are badly bug-eaten and whose stems collapse at a touch and a row of feathery carrot tops all but lost in an invasion of plantain and chickweed and purselane and a pulpy weed with white-and-yellow flowers that grows inches every night. It is easy to pull, its roots let go docilely, but there are so many he wearies within minutes of pulling and shaking the moist earth free from the roots and laying bundles of the weed along the chicken-wire fence as mulch and as barrier to the invading grasses. Grass that won't grow in the lawn where you plant it comes in here wild to multiply. Seed, so disgustingly much of it, Nature such a cruel smotherer. He thinks again of the dead he has known, the growingly many, and of the live child, if not his then some other father's, who visited him today with her long white legs propped up on cork heels, and of the other child, undoubtedly his, the genes show even in that quick scared way he looks at you, who has threatened to return. Rabbit pinches off the bigger lettuce leaves (but not the ones at the base so big
Mel Odom
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The Master of All Desires
George R. R. Martin and Melinda M. Snodgrass