Purple Hibiscus

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Authors: Chimamanda Ngozi Adichie
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at the scar on Kevin’s neck before I got out of the car. He had fallen from a palm tree in his hometown in the Niger Delta area, a few years ago while on vacation. The scar ran from the center of his head to the nape of his neck. It was shaped like a dagger.
    â€œWe know,” Jaja said.
    Jaja swung open Papa-Nnukwu’s creaking wooden gate, which was so narrow that Papa might have to enter sideways if he ever were to visit. The compound was barely a quarter of the size of our backyard in Enugu. Two goats and a few chickens sauntered around, nibbling and pecking at drying stems of grass. The house that stood in the middle of the compound was small, compact like dice, and it was hard to imagine Papa and Aunty Ifeoma growing up here. It looked just like the pictures of houses I used to draw in kindergarten: a square house with a square door at the center and two square windows on each side. The only difference was that Papa-Nnukwu’s house had a verandah, which was bounded by rusty metal bars. The first time Jaja and I visited, I had walked in looking for the bathroom, and Papa-Nnukwu had laughed and pointed at the outhouse, a closet-size building of unpainted cement blocks with a mat of entwined palm fronds pulled across the gaping entrance. I had examined him that day, too, looking away when his eyes met mine, for signs of difference, of Godlessness. I didn’t see any, but I was sure they were there somewhere. They had to be.
    Papa-Nnukwu was sitting on a low stool on the verandah, bowls of food on a raffia mat before him. He rose as we came in. A wrapper was slung across his body and tied behind his neck, over a once white singlet now browned by age and yellowed at the armpits.
    â€œ
Neke! Neke! Neke
! Kambili and Jaja have come to greet their old father!” he said. Although he was stooped with age, it was easy to see how tall he once had been. He shook Jaja’s hand and hugged me. I pressed myself to him just a moment longer, gently, holding my breath because of the strong, unpleasant smell of cassava that clung to him.
    â€œCome and eat,” he said, gesturing to the raffia mat. The enamel bowls contained flaky fufu and watery soup bereft of chunks of fish or meat. It was custom to ask, but Papa-Nnukwu expected us to say no—his eyes twinkled with mischief.
    â€œNo, thank sir,” we said. We sat on the wood bench next to him. I leaned back and rested my head on the wooden window shutters, which had parallel openings running across them.
    â€œI hear that you came in yesterday,” he said. His lower lip quivered, as did his voice, and sometimes I understood him a moment or two after he spoke because his dialect was ancient; his speech had none of the anglicized inflections that ours had.
    â€œYes,” Jaja said.
    â€œKambili, you are so grown up now, a ripe
agbogho
. Soon the suitors will start to come,” he said, teasing. His left eye was going blind and was covered by a film the color and consistency of diluted milk. I smiled as he stretched out to pat my shoulder; the age spots that dotted his hand stood out because they were so much lighter than his soil-colored complexion.
    â€œPapa-Nnukwu, are you well? How is your body?” Jaja asked.
    Papa-Nnukwu shrugged as if to say there was a lot that was wrong but he had no choice. “I am well, my son. What can an old man do but be well until he joins his ancestors?” He paused to mold a lump of fufu with his fingers. I watched him, the smile on his face, the easy way he threw the molded morsel out toward the garden, where parched herbs swayed in the light breeze, asking Ani, the god of the land, to eat with him. “My legs ache often. Your Aunty Ifeoma brings me medicine when she can put the money together. But I am an old man; if it is not my legs that ache, it will be my hands.”
    â€œWill Aunty Ifeoma and her children come back this year?” I asked.
    Papa-Nnukwu scratched at the stubborn white

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