Princes in the Tower

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Authors: Alison Weir
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these he made extravagant improvements, patronising architects, stonemasons, sculptors, glaziers, silversmiths, goldsmiths, jewellers and merchants dealing in luxury goods such as tapestries and fabrics. Hence the royal palaces were supplied with everything 'in such costly measure', says Tetzel, 'that it is unbelievable that it could be provided'. Rich cloth of Arras adorned the walls, the tables were set with fine napery and gold, silver and gilt plate, chairs and cushions were upholstered in velvet and damask, beds covered with sheets of fine holland cloth and counterpanes of crimson damask or cloth of gold trimmed with ermine. In summer there were elaborate picnics by the river, with tables set up in the gardens under the trees; courtiers could shade themselves in silken tents, and watch the King and his guests glide past along the river in gilded barges: from these issued the music for which Edward's court was renowned. Croyland tells us that the court presented 'no other appearance than such as fully befits a most mighty kingdom filled with riches'.
    Court etiquette was very formal and a strict code of courtesy prevailed. Banquets could last three hours and more, and on one occasion the Queen kept her ladies on their knees throughout while she and her guests ate in silence. Even her own mother had to stand until the Queen had been served the first course. On state occasions, and at the Christmas and Easter courts, the King and Queen always appeared wearing their crowns.
    All of this had to be paid for. Although the expenses of his court were actually less in real terms than those of any previous mediaeval English monarch, Edward IV borrowed thousands of pounds from financiers of the City of London and Italian merchant bankers, and pawned some jewels, but in the end stringent economies had to be enforced. These were laid down in the Black Book of the Household in 1471-2 and made Edward rather unpopular, for from thenceforth household supplies such as wood for fires, torches, candles, rushes for floors, straw for mattresses, food, wine and ale were rationed, the duties of servants strictly delineated, and restrictions placed on the number of servants a nobleman might bring to court: a duke was allowed twelve, a baron only four.
    By the early 1470s Edward IV was already carrying out the duties of kingship in a suitably magnificent setting. He was well aware of the political value of lavish display, but during the latter years of his reign there were fewer extravagant ceremonies at court and in public.
    The King's needs were looked after by the officers of the royal household, which was at the core of the court, but many of these posts were sinecures held by the great magnates and delegated to lesser mortals. Then there were in attendance the royal councillors, the civil servants, the domestic servants, visiting nobles, foreign ambassadors and visitors, the ladies and officers of the Queen's household, and a whole army of petitioners seeking favours from the King. The purchasing and purveying of influence, grace and favour were the main business of the court. Thus ambitious magnates battled for supremacy in an atmosphere charged with vicious competitiveness and ruthless ambition.
    At the centre of this circle of patronage was the King, to whom all sought access. This was usually granted only after receipt of a written request. The King was seen as the fount of all honours and benefits, but Edward was shrewd and only rewarded those who were prepared to serve him well; there were few time-servers at his court. To his credit, he did not allow his many mistresses any political power, nor did he advance his bastards, but he had promoted and favoured the Wydvilles and in the eyes of many that was thought just as bad, especially since, in the years after 1471, their influence was extended to encompass the heir to the throne.
    * * *
    In June 1471, Elizabeth Darcy was appointed Lady Mistress of the newly-created Prince of Wales'

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