Portland Noir

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Authors: Kevin Sampsell
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neighborhood’s called, and that’s just what I did: sold wood. Found my niche with bookcases—Italian walnut, mahogany, inlaid stuff with wavy glass doors—and then with other library furnishings, and rare books eventually. Always liked antiques. I just never planned on turning into one.
    Wait a little while longer till it gets dark, till the other residents are in bed and the night staff is “resting” like they do. No doubt with a rum, a beer, whatever they drink. What I’ll do is sit here in the old rocker, a perfect reading chair I found at an estate sale in Estacada, must have been ’48. Dorothy wouldn’t hear of me trying to sell this thing. Nursed Jimmy in it.

    I find her at the Dance Pavilion. I knew she’d be there. With her long lean body and long blond hair, she’s easy to spot. Lights reflect off the polished wood floor that’s marred by years of dancing feet. The low ceiling makes for good acoustics, and in the temporary silence I hear Dorothy laugh. I walk right over to her and take her hand.
    No, that was 1945, just after the war. I’d met her two weeks before, and she told me where I could find her if I wanted to. Oaks Park, the Dance Pavilion, not far from the railroad tracks and the totem pole. I’m nineteen and it feels like it’s happening right now. Like I’m at the Dance Pavilion with her hand in mine.
    I wake up in the rocker, still eighty-two. Stiff in every joint, I creak louder than the old oak itself. What I need is a shot of good Scotch. The kind that’s been aged twelve years, the last two years in port barrels, say, with a hint of chocolate and mint. Nothing peppery. Even when she was going away into Alzheimer’s, Dorothy remembered her stuff about Scotch. I enjoyed kidding her about it. The old dame knew her booze. How I’d love to toast her at this moment, to look across the room and see her gorgeous back exposed by one of those bold dresses she wore in the heyday, see her head turn so those green eyes twinkle at me, her hand rising to return my gesture, the amber liquid in her glass filled with light.
    I find her tucked against the bluff in Oaks Bottom, looking up at wildly whirling lights. Discs, that’s what they are, silvery and thin as nickels, and they’re maybe forty or fifty feet above the ground, spinning in circles, blazing with cold fire. Mesmerized, Dorothy doesn’t see me yet. She can’t take her eyes off them, these flying saucers. But I dare not risk calling out and alerting the figures moving toward her in the mist. Any luck, I’ll get to her before they do. Before they can kidnap her and whisk her onto their ship.
    No, that was 1947, when she was pregnant with Jimmy. Dozens of people down there in Oaks Bottom screaming, pointing toward the heavens, saying the aliens were landing. All over Portland they saw these things. Cops, World War II vets, pilots, everybody saw them.
    I find her sitting with a half-dozen women on the bluff overlooking Oaks Bottom. All their chaise longues face north, upriver, with a clear view of Mount St. Helens. It’s twilight, but steam plumes are clearly visible and what feels like soft rain is really ash. Mount St. Helens has been fixing to erupt for months now.
    Dorothy waves me over. She spreads her legs, flexes her knees, smoothing her flowered dress down between them, making room for me to join her on the chaise. I sit there on the cotton material she’s offered to me and it’s still warm from her body. I lean back against her, waiting for the mountain to blow.
    No, that was 1980, when she was thinking the world might come to an end. Hoping it would, I believe. We were tired of it then, so you can imagine how we feel now.
    No, we’re not watching the mountain. We’re watching Fourth of July fireworks from Oaks Park like we do every year. Surrounded by kids, happy kids, full of life.
    Ah, Jesus.
    It’s time to go find her. At least there’s no rain. Always rains around here, often deep into June, and that would make

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