Point of Impact

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Authors: Stephen Hunter
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a dozen tragic ways: a trigger finger hitch, a breath held too long, a weirdly detonating synapse that caused the eye to lose its sharpness or its perspective; an ear that suddenly heard too much or not enough; afoot that fell asleep and distracted its owner from the serious business at hand.
    Bob blinked quickly, ordered himself to chill out, and tried to see in the lazy tremble in the cross hairs not something to hate (his own weakness) but something to make peace with—something to forgive. Self-forgiveness was a large part of it: you can’t be perfect all the time. Nobody can: accept your weakness, try to tame it and make it work for you.
    Bob breathed slowly, letting the air hum half into his lungs, then humming it half out. He didn’t want a lot of oxygen in them, ballooning out on him at the awkward moments. But dammit, he still didn’t quite feel comfortable. It was all so strange: sitting up there in the pretend building, pretending to be an FBI agent, pretending it was 1986, trying to pretend it was real.
    There is nothing to pretend, he told himself. There is only shooting, and that’s never pretend.
    He’d figured the math out much earlier. Having memorized the ballistics table, he knew that at 320 yards the 150-grain bullet was programmed to drop about ten inches and would have slowed, by this distance, to a velocity of about 2,160 feet per second. But he also knew that this Accutech stuff was a bit hotter than the standard. And so he figured it would only drop eight inches. But he was shooting downhill, a slightly different problem than shooting flat; this meant he’d add more of a drop, because bullets fired at an angle fall farther; he took another inch out of the equation. That put him nine inches low at 350 yards, except that the wind, just a slight breeze, would move the bullet as it traveled perhaps four inches to the left. So he had to hold nine inches lower and four inches to the left. Then he had to lead to compensate for the speed of the car; and he had to do it on cue, when he got the green light command over his earphones.
    “Charlie Four, do you read?”
    Fuck it, thought Bob, what does
he
want?
    He said nothing. The mike was bent under his chin and to pull it back into place was to blow his spot-weld, his hold and his peace. He would not give that up.
    “Charlie Four, goddammit, where are you?”
    Bob was silent, awaiting the arrival of the vehicle in the bottom right quadrant of his scope.
    “Charlie Four, goddammit, get on the air! Do you acknowledge? Call in, goddammit, Charlie Four, I need you authenticated.”
    Bob was silent, trying to flatten out that bit of tremble from the reticle. He tried to make his mind blank and cool and drive out any sensation of his own body. There should be only two things: finding the right hold and preserving it through the trigger pull.
    “Charlie Four, you don’t call in, I’m not gonna green light you, goddammit, I have to have you on the air so I know you’re reading my commands!”
    Bob held silent. His breath was rougher now; he felt like tossing the earphones away! Talking to him! Now!
    He tried to clear his head, to make everything go away except the shot. He could not.
    “Charlie Four, green light canceled. Abort it. Hang it up, if you’re there, Charlie Four. Do you read? Shot authorization is canceled. There’ll be no shooting, goddammit, Charlie Four.”
    And now he saw it.
    The limo body, hauled by the chain, slid into view. Its angle from him was not acute but more like forty degrees; the car appeared to be moving at about twenty miles per hour; Bob had no trouble pivoting the rifle on the bag through a short arc as he tracked the car, looking for his hold. He tried not to note the details, but he could hardly help it. Downing, for example, was, preposterously, a watermelon; the four hostages around himwere balloons. It was crude but effective, especially in the way the wind made the balloons waver in unpredictable ways and the bump

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