about this.â
Browne looked at his watch. âJames Norris told me about this not half an hour ago. It came as a very great shock. Luigi never said a word about it.â
âIâll come back to this. Just before I came up here, I spoke with Eliza Wanamaker. I was curious as to why you told the orchestra about the murder. I think you told me you just blurted it out.â
âThatâs correct. I was very upset.â
âFunny. Eliza got the feeling that you didnât seem at all upset. She described you as outwardly calm and in control.â
âAppearances can be deceiving, Detective. Surely I shouldnât have to tell you that.â
âWhy then did you pick up Spadafiniâs overcoat before you left the room? Ms. Wanamaker remembers that clearly. Everyone was in a panic, and you caused that. Were you trying to distract them so you could search for Spadafiniâs cell phone?â
Now Browne was definitely sweating.
Pratt continued. âI think you wanted it to disappear along with the record of all those calls.â
âThatâs a lie!â Browne shouted.
Pratt was about to hammer another nail into the coffin when the office door opened. Norris stuck his head in, and Browne used the interruption to leap to his feet.
âJames! How fortunate youâve shown up. The detectives here seem to want to drag me into this mess. Please come in. I want a witness to hear the outrageous accusations.â
Browne came around the desk and opened the door wide. Grabbing his boss by the arm, he whipped him into the room, directly where Pratt was seated. The two men collided hard, knocking over Prattâs chair. In a flash, Browne was through the doorway. Equally fast, Ellis jumped right over the low table in front of him and disappeared out the door.
As he struggled to get up, Pratt heard a loud cry followed by a crash. By the time he got out to the hall, it was all over. The orchestra manager lay on his stomach with the youthful Ellis on top of him.
âGet off me! Get him off me!â Browne shouted.
Ellis grinned up at Pratt. âYou wouldnât happen to have any handcuffs, would you?â
He did. Handcuffs were his good luck charm and he always had his pair in a jacket pocket. Ellis placed them around the orchestra managerâs wrists with a satisfying click . They pulled Browne to his feet.
âWhy did you do it?â Pratt asked calmly.
âBecause Spadafini was a complete bastard! He deserved to die. When he told me he wasnât taking me to the new orchestra, he laughed! I wasnât going to let him screw me just like he screwed everyone else.â
As they led their prisoner to the elevator, Pratt said with a laugh, âLet me guess, Ellis. You were also a star on your high school track team. Hurdles, right?â
The young detective nodded. âGot it in one, sirâ¦I mean, Pratt.â
CHAPTER SIXTEEN
A ll the six oâclock news showed was someone being led out the stage door, an overcoat pulled up over his head. There were a lot of loose ends to tie up, so all Pratt would say to the crowd of reporters was that someone had been arrested for the murder of Luigi Spadafini. There would be a news conference the next morning.
As the film clip played on the tv in the corner of the captainâs office, Pratt, Ellis and McDonnell were watching it carefully.
âPretty slick bit of detecting, Pratt,â the captain laughed. Heâd enjoyed telling the chief and mayor that the crisis was over.
âItâs because our young Detective Ellis is a nosy bastard with good instincts. Heâs also a dab hand with a computerâand fast on his feet.â
The captain leaned back in his chair. âTell me about it, Ellis.â
âIt actually was lucky that I decided to use Browneâs office because that gave me access to his computer. I only needed his connection to the Internet for my laptop. I did happen to turn on his
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