braced on all sides of my body
by the rhythm.
I can do this
totally alone,
as long as I have the piano music.
So far so good.
I wipe down
and watch Margotâs group
move through the complicated
combination.
Sheâs definitely the best.
Her line is perfect
from her fingertips to her toes.
The judges have to see that.
Even the girl who cracked her knee
is moving well.
I saw her wrap it before she took the floor.
Whereâd she get the bandage at the last minute?
Doesnât look like her kneeâs bothering her a bit.
Sweat drips into my eyes.
I rub the acidy burn away.
The judgesâ pencils
scratch along with
our quiet panting,
gritty shoe leather
brushing the wood floor,
and someone cracking their back.
I hand Rosella her towel.
âThanks,â she mouths.
I smile.
âGroup One,â
calls a judge with fake eyelashes
that curl up to her brows.
Yuck.
I hurry out
to the floor
for my turn.
What will they each scratch
about me?
The fifteen guys are grouped together.
Itâs weird to see
so many in one place.
Tommy is doing well
despite all the new girls around.
Nathan nailed his tour en lâair,
spinning high in the air
and landing in the same spot
he started from.
But Elton moves to the music
like no one else.
Those judges have to see his power
and grace.
He loves what heâs doing.
Absolutely.
We line up for grands jetés
across the room.
I twist to stretch my sides
and catch Elton giving me a thumbs-up.
I smile, turn back,
take a huge breath,
run, and take off
in the highest, clearest leap
Iâve ever done.
Iâm flying across the room
like the deer I saw with Grandpa!
The judges have to notice.
Iâve left everyone else behind.
Iâm turned inside out.
This is me!
Beautiful!
The girls in the second group
are like small twigs
twirling in the wind.
I feel a bit faint.
Must be the tension
and not enough water.
I get a sip at the fountain,
then slide down in a corner
and close my eyes.
Satin pointe shoes squeaking
on wood,
rapping,
clunking,
thudding
over the creaking floorboards.
I open my eyes and feel
the girls land hard,
even when it looks like
they havenât landed at all.
Rap, rap, thud.
Iâve heard through
the illusion.
We all take the floor
and bow to the judges,
and then to ourselves
in the mirror.
I danced in here.
I rocked this place.
No one is going to tell me different.
We rise.
âHigh-five, Rosella.â
She smacks my palm. âYes!â
Itâs over.
All the work
Iâve done for ten years
made me ready
for this audition.
And now itâs over.
My dream is beginning.
We untie and unwind
our pointe shoes
the same way.
We fold in the heel
and wind the ribbons
around the shank.
Doing the same thing alike,
we are one dancer
scattered into pieces,
waiting to be put together
as the corps
of City Ballet Company.
That one girl
unwraps her knee
and thereâs a huge goose egg
sticking up.
She hops to the wall to balance.
Man. Thatâs tough.
âPlease wait in the barre room.â
Madame rolls her cane between her palms.
âThe judges will post the City members
in half an hour.â
We flow out the door
and through the hall
like a real ballet corp.
Cameras flash
in the barre room,
and we pull apart.
Newspaper reporters
want interviews.
I move away to the window
as they speak to Rosella.
She doesnât seem to mind.
âR-O-S-E-L-L-A,â she spells.
Each journalist has found someone
to interview.
Iâm safe for now.
Introverted and left alone.
Just the way I like it.
But a little lonely.
Eltonâs talking to Tommy
and Margot.
How do they think they did?
I could go ask.
I start to make my way toward them,
but the reporters push me aside
and gather in a tight circle.
Whatâs going on?
I get a look through their legs
at a girl on the floor
huddled in a
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