ball,
crying.
âIâll never make it!â she bawls.
âIâm not good enough.â
How humiliating!
âClare.â
I look up.
Madame is calling me
from the doorway.
âWould you join me in my office?â
I clasp my hands
to still the shaking.
âSit down, Clare,â says Madame.
I sit on the very edge of the chair.
My pelvis
nails the wood.
Madame slides into her seat
behind her big oak desk.
She opens a file.
My name is on the edge.
âClare,â she says.
My skin creeps.
âClare, you are a fine dancer.â
Yes!
âYou are qualified
to be a member
of City Ballet Company.â
Iâm busting open,
my smile is so huge.
Tingles race
over my goosebumped skin.
âBut . . . â
What?
âBut . . . â She flicks through my paperwork.
The air whooshes out of me.
Iâm like a paper doll
about to drift
off the chair.
âYour body is not well designed
for the ballet.â
âButââ
âYou are too tall,
and I speculate you havenât finished growing.
Clare, I hate for you
to devote yourself
at this level
to an art
you will never be suited for professionally.â
The sweat on my back
freezes.
âBut, Madame, I danced as well as anyone
at the audition.â
âYes, you did.â
âI did really well.â
âYes.â
âMy développé was above hip level.
My, myââ My throat closes.
At least it stops my pathetic begging.
âClare, I am sorry.
You are a dancer.
Which is why
I wanted to give you a chance at this audition
in case a taller group of girls turned out.
But itâs not the case.
We have to face that youâre not shaped
for classical ballet.
Before long
youâll be too tall
even for Pacific Northwest Ballet.
And in New York,
you would need to be a superstar
to succeed.
I donât see that potential in your work.â
Breathe. Breathe. Breathe.
âI have to remove you
from your class, Clare.
The group is going to consist
only of City members now.
They will be dancing far more
with their additional commitment,
and you will be left behind.
Several other girls will be shifted
to alternate classes.
You in particular,
because of your height,
are welcome to join the adults.â
âThe adults?â I squeak.
âThe adult class.
There you could continue to dance
for your own enjoyment.â
âI need to go now, Madame,â I whisper,
and stand.
âI am truly sorry, Clare.â
She closes my file.
Everything inside me
wants out.
I retch into the toilet
again
and again
until nothing else comes up,
but my guts keep trying
to crawl out
of my throat.
I heave sharp air,
then wipe the last dribble of vomit
off my lips
with a wad of toilet paper
and flush.
Everything swirls away.
I passed people
when I ran from the office
to the bathroom.
The reporters were still in the barre room
with a bunch of girls.
The dressing room
was full too.
But I donât remember any faces.
Iâm not coming out of this stall
till everyone is gone.
Someone actually knocks.
âAre you okay?â she asks,
but gives up when I donât answer.
âWe made it! We made it! We made it!â
two girls yell.
âI completely blew it,â says another.
âMy fatherâs going to kill me.â
I sit on the cold toilet cover
and wait till all the excitement, disappointment,
rustlings, and zippers disappear.
Rosella never found me.
Did she look?
I lean against the wall
and taste my thick, sour tongue.
I canât stop shivering.
The stall door creaks
when I come out.
Everyoneâs gone
from the dressing room.
Shaking,
I pull on my jeans,
clogs,
gather my stuff,
and cram it into my bag.
I run out.
The barre roomâs empty.
At least I donât have to look
at anyone.
Rosella.
Or Elton.
I race out onto the wet street.
Itâs
Andy Remic
Eve Langlais
Neal Shusterman
Russell Blake
JEFFREY COHEN
Jaclyn M. Hawkes
Terra Wolf, Holly Eastman
Susanna Jones
L. E. Chamberlin
Candace Knoebel