Nobody Knows My Name

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Authors: James Baldwin
Tags: General Fiction
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“wider” TV screens, more “faithful” hi-fi sets, more “powerful” cars, all of which, of course, are obsolete long before they are paid for. Anyone who has ever struggled with poverty knows how extremely expensive it is to be poor; and if one is a member of a captive population, economically speaking, one’s feet have simply been placed on the treadmill forever. One is victimized, economically, in a thousand ways—rent, for example, or car insurance. Go shopping one day in Harlem—for anything—and compare Harlem prices and quality with those downtown.
    The people who have managed to get off this block have only got as far as a more respectable ghetto. This respectable ghetto does not even have the advantages of the disreputable one—friends, neighbors, a familiar church, and friendly tradesmen; and it is not, moreover, in the nature of any ghetto to remain respectable long.Every Sunday, people who have left the block take the lonely ride back, dragging their increasingly discontented children with them. They spend the day talking, not always with words, about the trouble they’ve seen and the trouble—one must watch their eyes as they watch their children—they are only too likely to see. For children do not like ghettos. It takes them nearly no time to discover exactly why they are there.
    The projects in Harlem are hated. They are hated almost as much as policemen, and this is saying a great deal. And they are hated for the same reason: both reveal, unbearably, the real attitude of the white world, no matter how many liberal speeches are made, no matter how many lofty editorials are written, no matter how many civil-rights commissions are set up.
    The projects are hideous, of course, there being a law, apparently respected throughout the world, that popular housing shall be as cheerless as a prison. They are lumped all over Harlem, colorless, bleak, high, and revolting. The wide windows look out on Harlem’s invincible and indescribable squalor: the Park Avenue railroad tracks, around which, about forty years ago, the present dark community began; the unrehabilitated houses, bowed down, it would seem, under the great weight of frustration and bitterness they contain; the dark, the ominous schoolhouses from which the child may emerge maimed, blinded, hooked, or enraged forlife; and the churches, churches, block upon block of churches, niched in the walls like cannon in the walls of a fortress. Even if the administration of the projects were not so insanely humiliating (for example: one must report raises in salary to the management, which will then eat up the profit by raising one’s rent; the management has the right to know who is staying in your apartment; the management can ask you to leave, at their discretion), the projects would still be hated because they are an insult to the meanest intelligence.
    Harlem got its first private project, Riverton * —which is now, naturally, a slum—about twelve years ago because at that time Negroes were not allowed to live in Stuyvesant Town. Harlem watched Riverton go up, therefore, in the most violent bitterness of spirit, and hated it long before the builders arrived. They began hating it at about the time people began moving out of their condemned houses to make room for this additional proof of how thoroughly the white world despised them. And they had scarcely moved in, naturally, before they began smashing windows, defacing walls, urinating in the elevators, and fornicating in the playgrounds. Liberals, both white and black, were appalled at the spectacle. I was appalled by the liberal innocence—or cynicism, which comes out in practice as much the same thing. Other people were delighted to be able to point to proof positive that nothing could be done to better the lot of the colored people. They were, and are, right in one respect: that nothing can be done as long as they are treated like colored people. The people in Harlem know they are living there

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