forgiveness of God, the Big Master, so that then theyâd go off to reflect on what theyâd done and on how life was a beautiful creation that shouldnât be tainted by violence and other evil ways. And it worked, like everything he did, because starting with a dozen people he ended up seeing three hundred a week, that is, almost one whole cellblock.
I hadnât been in Moundsville long when I first heard about him. I was there because of a badly planned drugstore holdup that had ended in lots of shooting and people lying flat on the asphalt. My partner in crime, Teddy, born in Oregon but into a family from Puerto Rico, caught a bullet through one of his nostrils, which were more accustomed to receiving coke or crack or smack. The bullet went through the nasal septum and lodged in his brain, causing what Iâd have to call irreparable damage, not that there was anything very much in Teddyâs brain to start with, and what there was wasnât worth much, it was more like a room without any furniture, but anyway, there he was, lying on the ground in a pretty unnatural position, with more than half the contents of his cranium spattered on the sidewalk, as if his head had turned into a ketchup dispenser, and I got away with a few bills, but that same night, when I went back to the flea-ridden motel on Cedar Creek where we had our headquartersâin other words, where we kept the drugs and the syringesâhoping I could just get in and out again scot-free, I ran unexpectedly into six police officers who, judging by the way they hit me in the ribs with their batons, had little or no talent for conversation, at least with me, and then they bundled me into a patrol car, saying, your partner had the key to your room with the address and the phone number in his pocket, oh brother, what a bunch of beginners, and that, my friends, is how I ended up in Moundsville.
Once inside, I focused on surviving, which, in that sinister sausage factory with no retail outlet, meant above all avoiding the punishment cells, the so-called Sugar Shack, the cellar of ghosts, which was so dark that if you closed your eyes you could see the insides of your skull, the kind of extreme experience nobody should have to remember, thatâs how that place was, like being stuffed in the ass of a rhino, because it was hot and smelled like hell, thanks to the pipe that carried filthy water from the bathroom in the third cellblock to the septic tank, and I wonât go into details about the animals crawling around on the floor, but they didnât all have four legs, some had a hundred, and feelers too; I was put in that cell twice, because if youâre moving about on the edge of the toilet all day youâre bound to fall in sometimes, right? but anyway, my friends, my dear listeners, all that suffering also makes a person strong and I survived, of course you turn into an animal, yes sir, but being an animal wasnât the worst of it, and neither was the fear, because, with apologies to the more sensitive, you had to protect yourself from everything, keep a tight hold of your ass, because as I already said there were groups there who grabbed you in the toilets and used you like a woman or a whore, and if you didnât open your mouth to suck their cocks they opened it with a screwdriver and pulled your teeth out; you had to be really good not to be endlessly cauterized with wax in the infirmary.
And so the days passed in Moundsville, getting by as best I could, putting smack in my veins and inventing tricks to stay in my corner, without doing anything, which is the best way to be in a place like that, blotting out everyone else, blotting out the prison, with its guards and its bosses, and there I was, off on one of these trips, when I ran into him; almost on top of me, I saw his athletic figure and those eyes of his, like a lost childâs, which was misleading, because they made you think he was just a kid, and I remember
Marita Conlon-Mckenna
Gerald Clarke
Barbara Delinsky
Gabrielle Holly
Margo Bond Collins
Sarah Zettel
Liz Maverick
Hy Conrad
Richard Blanchard
Nell Irvin Painter