Navidad & Matanza

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Authors: Will Vanderhyden Carlos Labb
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Swiss chard that the man offered him along with a glass of boxed wine. He found everything “very tasty.” Toward the end of the meal, he asked his host to turn down the volume on the television and inquired who lived in the other rooms. No one, replied the man. Before his mother died, the house had been a hostel. After her passing, he explained, he hadn’t wanted any more kind-faced strangers in his house, so he closed the business. Now he had four guest bedrooms. Two matrimonial suites, one narrow bunk bed, and two twin beds. Dounn asked him if he’d be interested in accommodating some of his friends—a family—who were also coming to the festival that weekend. A couple and their two adolescent children. The man from the service station agreed, he needed the money. The Vivar family would be there in half an hour. Later the owner of the house would discover that the Congolese was very precise with his words: he’d only “accommodate” them, whatever that meant, because the Vivar’s kept their luggage at the Royal Lethargy Grand Hotel and also slept—at least the parents did—in the executive suite they’d reserved there.
    After he ate and finished off another glass of boxed wine that the man from the service station had offered him, Patrice Dounn proceeded to clear the kitchen table. Diligently he washed the dirty plates, glasses, and silverware, and cleared away the other things: the cruet, a journal of universal history that his host was reading, his own cell phone. He even removed the plastic tablecloth, which he folded neatly and placed in a corner of the kitchen. On the clean table he set down the black instrument case. He’d begun to open the clasps when suddenly he stopped and looked at the man from the service station, who was watching him from the door, a cigarette between his fingers. For the first time heunderstood how spiders and insects feel when someone observes them before stepping on them. That’s how don Patrice looked at me, he said. He maintained eye contact for a few seconds until he could no longer stand it. He went into the hallway, asking the foreigner if something was wrong. Nothing, said Dounn, I just want to know if I can trust you. Yes, of course, whatever you need, was the host’s reply. Then the Congolese added: This goes with you to the grave, understand? And he opened the case.
    Inside there was no instrument. Just small cans made of a thin material, without label, arranged vertically. Dozens of cans. The host—maybe instinctively, he didn’t know—hurriedly dug through a drawer of knives to find a can opener for the visitor. Then he left the kitchen, heading to the bathroom. He wasn’t feeling well.
    When he came back, both Patrice Dounn and his case had disappeared. He didn’t see any sign in the garbage of the can that’d been opened, judging by the can opener—washed and dried meticulously, although still damp—sparkling on the table. The door to the guest’s bedroom was closed. Again the man from the service station felt “fear in my gut and in my eyes and my hair. I’m telling you, my hair was standing on end. But then the urge to vomit passed, and I wanted to run, to head to the beach, to chase after women, or dance to a slow song.”
    But he never managed to do anything, because suddenly he heard someone pounding forcefully on the front door. It was the foreigner’s friends. They were upset because they’d spent more than ten minutes calling and no one had come out to greet them. “One lady, one gentlemen, and two teenagers, they seemed to have been arguing among themselves. They were constantly interruptingeach other, even the little girl would aggressively grab her father’s shoulder every time she wanted to say something.” They explained to him that they’d already spent two days in Navidad and that they wouldn’t be spending the night at his

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