off the heating? Itâs freezing in here.â
âNiva!â shouted Zivia, one of the assistant producers. âWe donât have a studio in Tel Aviv. Did you hear me?â
David Shalit called out to Erez, âYou want the text for your lead? Youâre going to have to write it yourself.â
âOh come on, give it to me now and Iâll write it down,â Erez said.
âI donât want to now,â said David Shalit defiantly. As he turned his head he blinked his small blue eyesâwhich appeared even smaller behind the thick lenses of his eyeglassesâand caught the glance of Eliahu Lutafi, the correspondent for environmental affairs. Lutafi had been around for years, and his hesitant speech gave him an air of helplessness, which invariably brought out a certain malaise in Zadik, a feeling of guilt for not having promoted him all these years. âDid you want something from me, Eliahu?â David Shalit asked.
âNo, nothing. I mean, that is, ifâ¦if youâre not giving him the lead just now, if youâre free for a minute, Iâd like you to see the report Iâve prepared on rubbish on the Tel Aviv shoreline,â Eliahu Lutafi requested. âI could use some feedback.â
Niva picked up the receiver. âItâs Liat on the line, sheâs having trouble with the satellite, I canâtââ
ââA stinking mess like this is inhuman,ââ Erez read aloud. âItâs from the text of the report on garbage,â he explained to Zadik.
Zadik pored over the new page that Niva had handed him. âMiri,â he called out without looking up, âhave you gone over this yet? Thereâre no markings to indicate youâve been over this.â
The language editor rose heavily from her place and went over to Zadik.
âThis text,â Zadik said, incredulous, âis even more subversive than last nightâs. You people canât talk that way about the Likud World Congress.â But Miri did not hear the end of Zadikâs sentence, because at that very moment the telephone next to which she was standing rang and Benizri, who was positioned next to another phone and rolling his eyes to the ceiling in dramatic desperation, was talking into the mouthpiece as if to a deaf person or an idiot. âI wonât wink at you, Iâll simply adjust my tieââ But the rest of his sentence was obscured by Niva, who was shouting, âHey, wait a minute, whatâs going on here? Look!â Something in her tone caused everyone to fall silent and look toward the monitors on the wall. Doors to the adjacent rooms opened, and Tzippi, Zivia, and Liat, the assistant producers, stood watching, along with Irit, an intern with the foreign correspondents.
Tamari, the graphic artist, was standing in the doorway to the graphics room. âOn Channel Two theyâre saying there are some terrorists in the tunnels on the JerusalemâEtzion Bloc road,â she said.
âI heard theyâve taken a hostage,â said Yeâelah, the cultural affairs reporter who had just rushed in, breathless, to the newsroom.
Everyone in the room was staring at the monitors: not their own Channel One, which was showing a studio with an interviewer and two guestsâan older man and a young womanâbut rather the competition, Channel Two, which was showing a reporter in a military parka with a microphone, interviewing a policeman.
Hefetz slapped his thighs in anger. âChannel Two beat us to it again,â he complained aloud.
No one moved to turn up the volume. At the bottom of the screen there was a caption: SUPERINTENDENT MOLCHO. âWhere is this? Whatâs going on?â Niva asked, agitated.
âCanât you see? Look, itâs the JerusalemâEtzion Bloc road,â David Shalit said impatiently.
âSo, whatâs happening there?â Aviva asked. The caption now read, ENTRANCE TO THE TUNNEL
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