idea!â
âBit odd, if you ask me.â Hetty turned and leant back on the sink, folding her arms. âDonât follow, someâow.â
âWhat do you mean?â
âLike that business when we opened the theatre.â
â The Hop Pickers ?â Libby was bewildered. âHow?â
âDifferent things, werenât they? The murder werenât nothing to do with it.â
Libby stared and Hetty turned to the Aga with a shrug.
The Hop Pickers had been written by Peter based on events in Hettyâs family background and was the opening play at the Oast Theatre. A murder had somewhat marred proceedings, and various other incidents had complicated matters. Hetty obviously had the idea that the situation regarding the Tobin Dance Theatre was similar.
Libby called Fran as she walked home down the Manor drive.
âWhy would she think that?â she asked. âI donât get it.â
âNeither do I. There hasnât been a really awful incident, has there?â
âThe worst was the cockerel, I should think. Although the rat this morning wasnât pleasant. There hasnât been anything really dangerous, either. Not like The Hop Pickers .â
âPerhaps itâs simply all the small things adding up, and Hetty thinks itâs all going to erupt in something nasty.â
âI suppose so, but thereâs no indication of that, is there? And I must admit I thought they would have left it all behind in London.â
âHave you talked to Max?â
âNo,â said Libby. âI expect heâll want to have a chat later, though. I donât think I can tell him anything. Iâm wondering exactly what he thought weâd be able to do.â
âHe thought the company might talk to us, didnât he? Well, some of them have.â
âNot to any purpose.â Libby sighed and kicked a pebble. âOh, well. Iâll wait and see what happens. Benâs in a mood because the rat-hanger disturbed all the lights and theyâve all got to be re-set.â
âOh, dear. So itâs actually disturbing the production now, not just the dancers?â
âOh, yes! I didnât think of that. I suppose theyâll be poking round the set every day now, looking for traps.â
Libby made herself a sandwich for lunch, wondering if Ben was going to come home. As he didnât, she took the sandwich into the conservatory and tried to summon up some enthusiasm for the painting which sat, barely started, on an easel. So far, it consisted of a shakily sketched horizon line and an even shakier cliff edge. As usual, it was to be a view of Nethergate to sell in Guyâs shop/gallery. Again as usual, she seemed to have no appetite for it. Instead she found herself idly doodling what looked like a stage set, with floating figures skimming over the sea which had turned into a stage.
âWitches!â she muttered to herself, just as the landline began to ring.
âLibby? Sorry to disturb you. Max here.â
âHello, Max. Everything all right?â
âWell â you were there this morning, werenât you? I thought I saw you.â
âYes, I came up to help at the Manor, but it all seemed to be dealt with very speedily.â
âYes, it was.â He paused. âLook, I wonder if it would be convenient to have a word? Weâve broken for lunch, and Benâs
taken the opportunity to re-set some of the lanterns, so Iâve got an hour or so.â
Here we go, thought Libby. âYes, of course,â she said aloud. âWould you like to come here? Do you know where I am?â
She gave him directions and went to move the kettle on to the Rayburn. Hoping he wasnât too London-sophisticated to reject her instant coffee, she set out mugs and went to light the fire in the sitting-room. It was nearly the end of October, and feeling distinctly damp and chilly.
âTea or coffee?â she asked when
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