Max arrived.
âOh â tea, please.â He smiled a little diffidently. âIâm not much of a coffee drinker actually. Disgrace to the glitterati, me.â
Libby beamed. âExcellent. Weâll have proper tea made in a proper pot, then.â
âWhat did you want to talk about?â she asked, as she carried the tray into the sitting-room.
âI wanted to know if any of the boys had talked to you â or to Fran â since we arrived. If youâd managed to form any sort of opinion?â He took a mug from her.
âWeâve talked to a few of them. None of them seem averse to talking about it, but the rat came as a surprise. I think theyâd convinced themselves that all the trouble had been left behind in London. I rather thought that myself.â
Max nodded. âI was hoping that was the case. But now Iâm not so sure.â
Libby leant forward. âMy mother-in-law â Hetty, you know â has a theory that the incidents in London had nothing to do with the one this morning.â
Max looked startled. âWhat? How? Why does she think that?â
Libby sat back. âItâs not really logical, simply based on experience.â She explained about The Hop Pickers . âAnd she could be right. If someone has a grudge, they could simply be copying what happened in London.â
Max shook his head. âThat doesnât make sense. That would mean two people with a grudge against the company, the work, or the individual dancers.â
Libby sighed. âYes, that does seem unlikely. Oh, and you didnât tell us that there had actually been threats to harm anybody.â
Max looked up. âWho told you that?â he asked sharply.
âApparently, there were threats of burning.â Libby regarded him with interest. âWhy didnât you tell us? You wanted us to poke around.â
He tried a half-hearted laugh. âOh, that was ridiculous.â
âSo ridiculous that two of your principals left?â
Max sighed. âAll right, yes. So youâve heard about all the little notes, I suppose?â
âMost of them. I donât know exactly to whom they were sent, except to Paddy and â Gerry, was it? â who left, but the consensus now seems to be that it isnât an individual, but the production itself thatâs being threatened. Fran and I were trying to work out what it is thatâs âunnaturalâ, as one of the notes apparently said. Witchcraft? Men dancing women? Dance or theatre itself? What?â
Max looked up uneasily. âHomosexuality?â
Libby shook her head. âThere were accusations of homosexuality, I gather, but rather blanket ones â and not true, for the most part. Itâs a common and often erroneous assumption about dancers, although why the hell it should matter, I canât think.â
Max smiled. âYou sound as though youâre on a podium.â
âIt happens to be one of my bugbears, sorry.â Libby smiled back. âDonât you agree with me?â
âOf course I do. But if someone has some kind of objection to the production on the other grounds â which are archaic â they could just as easily be objecting to homosexuality.â
âThatâs true.â Libby nodded thoughtfully. âStan thinks the whole thingâs doomed, apparently.â
âDid Seb tell you that?â
âYes. I donât think heâs that happy with Stan, to tell you the truth. He seems to be under some sort of obligation to him.â
Max sent her a quick look. âYou have been finding out a lot.â
âI thought thatâs what you wanted.â
Max sighed. âYes, of course. But have you found out if any of them are really unhappy?â
âOnly Stan, and he hasnât said that to me. All the others seem OK, and they like the theatre. No one seems scared or anything. As I said, I think they all thought the
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