trying to un-Velcro his son. âI have a job interview,â Abi says, not quite yelling, but now the boy is howling.
Jude looks at her. His eyes are round and dark, and he mouths words, but she doesnât know what he says. Then heâs gone.
She feels a fury â a frustration so intense â she digs her nails into her hands. But now the boy is at the door reaching for the doorknob. It doesnât turn.
Jude must be outside, holding it.
The boy tries again and again, then collapses in tears of defeat. His T -shirt is thin, and she can see his ribs heave with sobs. Outside, Judeâs boots pass over the walkway, quick on the wood.
She hears movement behind her, and when she turns, she sees Dad looking on, his brow knotted.
âWhat do I do?â she whispers.
Donât expect an answer.
âSit with him,â Dad says. His voice is gruff: first words of the day.
She lowers herself slowly to the floor and sits right next to the boy, but doesnât touch him. She has the feeling that if she does heâll howl even louder. After a couple of minutes, his sobs begin to subside. Still she doesnât touch him. She feels frozen, though she finds herself staring at the soft brown of his curly hair and something in her chest feels tight. He moves his head onto her knee and heâs absolutely still, like a rabbit hiding in the brush. Then he shudders, and begins to breathe again.
Abi looks up to see if Dad is still watching. Imagine that: Dad coming up with how to do something. Who needs advice columnists? Just ask Dad.
Dear Bill Jonesâ¦
He is watching and his hands are fumbling with his glasses. âThey sure can wail.â
âEnough to wake you,â she says.
âWho is the little bugger?â Not unkindly.
âHeâs Judeâs.â âJude?â Dad looks puzzled, but doesnât seem to want an explanation. He turns back to the TV and changes the channel.
Abi doesnât know how long Judeâs boy and she are like that, sitting on the floor, his head on her knee. Time passes â Dad watches an entire sitcom â and the boy sits up.
âShuice!â he whispers.
What?
He goes to the fridge, pulls at the handle. âShuice!â Now itâs more of a whine.
âWhy didnât you say so,â and she pours some apple juice into a cup. He says something like âangâ â must mean âthanksâ â and tries to pull himself up on a chair. Juice everywhere. That whine starts again. The sound makes her feel like covering her ears and hiding in her room.
âThatâs okay,â she says.
Just stop whining. Please!
She mops up. âThis house is very spillable.â Thatâs probably not something youâre supposed to say to a kid.
Soon as she opens her mouth, his eyes are on her. She doesnât know how much he understands, but he listens. She pours a second cup.
âDanma sick,â he says, then gulps his juice.
âD-a-n-m-a,â she repeats. âOf course! GRANDMA !â
He frowns at her peevishly, as if to say, âThatâs what I said!â
Then, in one movement, heâs down from the table, across the floor and looking out the window. The river.
âI have something for you.â Somewhere around here thereâs that old life jacket. Thereâs a bench by the door. She lifts the seat to look into the box. Gumboots. Was she ever a little kid who walked in the mud holding the hand of that man who spends his days in that chair?
She scoops out the fluorescent orange vest with its safety collar and loops and buckles. How sheâd hated this vest. She always loved to swing her arms when she was little. And she paid for it too, with knuckles bruised on doorways, but she would have settled for those bruises over these straps.
She pulls open the zipper, and feeds the vest over one of the boyâs arms, around the back, over the other. He doesnât
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