minutes talking nonsense. A couple of sixteen-year-olds.
24
The next day, at five, Jasper Gwyn appeared at the Stafford Hotel, but only out of courtesy, because in the meantime he had decidedto forget about it, having reached the conclusion that the idea of talking to that girl was completely outside his ability. Still, when Rebecca arrived, he chose a quiet table, right against a window that looked onto the street, and the first remarksâabout the weather and the traffic that at that hour made everything impossibleâwerenât difficult. Eager to order a whiskey, he ordered an apple juice with ice instead and remembered some little pastries they did very well there. âFor me, coffee,â said Rebecca. Like all truly fat people, she didnât touch pastries. She was radiant, in her aimless beauty.
First they talked about things that had nothing to do with it, just to take the measure of things, as one does. Rebecca said that elegant hotels intimidated her somewhat, but Jasper Gwyn pointed out how there are few things in the world as nice as hotel lobbies.
âThe people who come and go,â he said. âAnd all those secrets.â
Then he let out a confession, something he didnât usually do, and said that in another life he would like to be a hotel lobby.
âYou mean work in a lobby?â
âNo, no, be a lobby, physically. Even in a three-star hotel, it doesnât matter.â
Then Rebecca laughed, and when Jasper Gwyn asked her what she thought sheâd like to be in the next life, she said, âAn anorexic rock star,â and she seemed to have had the answer ready forever.
So after a while everything was simpler, and Jasper Gwyn thought he could try it, say what he had in mind. He took a slightly roundabout route, but that was, in any case, his way of doing things.
âMay I ask if you trust me, Rebecca? I mean, are you sure that youâre sitting across from a well-brought-up person who would never put you in situations that are, letâs say, disagreeable?â
âYes, of course.â
âBecause Iâd like to ask you something rather strange.â
âGo ahead.â
Jasper Gwyn chose a pastry, he was searching for the right words.
âYou see, I recently decided to try to make portraits.â
The girl bowed her head almost imperceptibly.
âNaturally I donât know how to paint, and in fact what I have in mind is to write portraits. I donât even know myself exactly what that means, but I intend to try it, and I had the idea that I would like to start by making a portrait of you.â
The girl remained impassive.
âSo what I would like to ask you, Rebecca, is if you would be willing to pose for me, in my studio, pose for a portrait. To get an idea, you could think of what would happen with a painter, or a photographer, it wouldnât be very different, thatâs the situation, if you can imagine it.â
He paused.
âShall I continue, or would you prefer to stop here?â
The girl leaned slightly toward the table and picked up the coffee cup. But she didnât bring it to her mouth right away.
âContinue,â she said.
So Jasper Gwyn explained to her.
âIâve taken a studio, behind Marylebone High Street, an enormous, peaceful room. Iâve put a bed in it, two chairs, not much else. A wooden floor, old wallsâa nice place. What I would like is for you to come there, four hours a day for thirty days, from four in the afternoon till eight in the evening. Without skipping a day, not evenSunday. I would like you to arrive punctually and, whatever happens, stay for four hours, posing, which for me means, simply, being looked at. You wonât have to stay in a position that I choose, just be in that room, wherever youâd like, walking or lying down, sitting where you feel like. You wonât have to answer questions or talk, and I wonât ever ask you to do something
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