what the articles from the Internet say I need.
Thatâs all. Just a rope. I bite my lip and slide the latch on the gate. I slip inside the round pen and shut the gate. It clangs and Renegade jumps. I move to the middle of the pen, my eyes on Renegade. He swings his butt toward me and flattens his ears.
Control movement .
Thatâs where Iâll start. My plan is to make Renegade move. Anywhere, it doesnât matter where. As long as he moves when I tell him to. That will establish my leadership. Or, as one article said, I will be the lead mare in this tiny herd of ours. Horses need a leader. They feel safer, more secure. Thatâs the theory, anyway.
I hurl the end of the rope toward his butt. I donât mean to throw so hard. It smacks against his flank and wraps around his back leg.
He kicks out hard. The rope jerks from my hand and dirt sprays my face. I duck instinctively. He explodes into a fast gallop, streaking around the pen as if he is being chased by a thousand demons. Iâm terrified heâll fall or crash into the pipe walls. The pen is small, too small for this speed. The eye I can see rolls in fear. Hooves churn the ground into dust. Flanks turn sleek with sweat.
I am rooted to the ground, my legs weak. Every part of me says to stay out of his way. Everything Iâve read leaves my head. Iâve no idea how to stop him. Iâm sure heâs going to kill himself. Or kill me.
He gallops around and around, his hindquarters surging, his hooves drumming rhythmically. Dust and the pungent smell of his sweat choke my nostrils.
Iâm in awe of his power.
I think heâs gone crazy.
I remember more words. Round pen work is not about mindlessly racing a horse around in circles. A horse that is not fit can run to exhaustion or death.
A random thought jumps into my head: Dad would know what to do.
Change direction .
Thatâs the second step. Now that heâs moving, I have to tell him which direction.
Iâm terrified to try. Iâm certain Iâll be trampled. So I do nothing.
After what seems like forever, Renegade slows to a canter and then a trot. Control movement. Change direction . Since I tossed the rope, Renegade has been the boss. Iâm nowhere near being the lead mare. Renegade knows it too. He kicks out in my directionâhard, resentfulâand then stands still, his sides heaving, blowing through his flared nostrils. He wonât look at me.
The dust settles. I stare at him, my heart racing. Flecks of foam speckle his black muzzle.
Shaken, I open the gate. I leave it open for Renegade. I pick up the rope and loop it over my shoulder. Then I grab the empty grain bucket and escape back to the barn. I need to think. I need a better plan.
T en
When Van and I get to the museum at twenty after one, one of those plastic clocks saying Back in Ten Minutes is hanging in the window. We go to the 7-Eleven for Cokes and guzzle them on the hot, sunny sidewalk in front of the museum. Iâm filled with the joy that comes on the last day of school.
An old rust-speckled car pulls up to the curb and a woman gets out, calling, âSorry to keep you waiting.â She has spiky black hair sticking out of a brightly colored bandanna and piercings on her nose and eyebrow. She walks around to the passenger side and lifts a small blond boy out of a car seat. âHad to pick up Jeremy at the day care,â she explains. âHeâs not feeling well. Iâm Hana.â
Hana unlocks the door and turns on lights. Weâre in a small room filled with glass cases; a display of old-fashioned dresses stands against one wall. âThereâs a lot more to see in the other rooms,â says Hana. She sets Jeremy on a blanket in the corner with a couple of picturebooks and a plastic container of Cheerios. âAny questions, just ask.â She eyes our Cokes. âPlease leave the drinks out here though.â
We set the cans on the counter.
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