you is Kia Summers?â
My heart lurches into overdrive. I suck at capoeira. And I hate standing in front of people. And. And. And. People are snickering and turning back to stare at me. Karina shoves my shoulder. Rigo searches our faces till his eyes lock with mine. He smiles that eerily perfect smile and says, âAh, you are Kia, yes?â
I nod, praying heâll change his mind, knowing he wonât. Why would he call me by name anyway? What kind of . . . ?
âGo!â Karina hisses in my ear. The moment has grown long, awkward. I stand, somewhat shakily, and make my way through the group to the front.
Rigo wears altogether too much cologne. Itâs something synthetic and overbearing, and it makes me dizzy. âYou remember how to do a basic ginga?â he asks, smiling down at me.
I shrug. âI mean, kinda.â
âThe ginga is the basic step of capoeira, yes? Everyone has their own ginga. It is as personal as a signature. Just like everyone has their own rhythm.â
âDevon doesnât!â Karina yells.
âWhen you understand the ginga, when you find your ownââRigo swings one leg back and raises his forearm toward me, then switches sides, moving so smoothly itâs like heâs gliding a few inches above the wood-paneled floorââit becomes like just walking down the street! You see? Natural. Come, we do it together.â I try to mimic him, sliding my left leg back and then shifting my weight to the right. I feel like a broken mannequin.
âClap, kids, yes? For the rhythm?â He lifts his hands over his head, and those thick triceps glare at me. I lose my entire sense of rhythm and have to start over. âClap, clap!â Rigo yells, breaking into a syncopated beat in time with his hovering step.
The group claps, and I work my way back into a steady ginga.
âYes, yes, very good!â Rigo yells over the clapping. âNow what happens when I go with one of these?â He spins; one foot anchors and the other flies up toward me. I know this partâIâm supposed to dodge-bend backward like in
The Matrix
and then spin into some impossible acrobatic shit and kick. I arch back and throw myself off-balance, hurl sideways, and catch Rigoâs sneaker in the face.
Everyone in the room yells, âOh!â as I stumble. I hear Rigomutter, âPorra!â as a whoosh of wind brushes past. Arms wrap around me. Thick arms. Rigo somehow evaporated and reappeared behind me. Again, audible swoons erupt, not all of them from the girls.
My hands cover my eye and Rigoâs hands are on my wrists. âLet me see,â Rigo says softly. âLet me see. Iâm so sorry, Kia. Let me see what I did.â
I shake my head. I probably look like one of those deep-sea monstrosities right now. The hell Iâma let Brazilian Ken gape at me.
âWe probably need to ice it. Can you see, Kia?â
I relent. The collective gasp is all I need to tell me what an instant freak show Iâve become. Rigo scrunches up his face. âIs not so bad, minha. Letâs get some ice, okay?â
âIâll take her!â Karina yells.
Thank God.
â¢Â â¢Â â¢
In the rec center nurseâs office, Karina informs me that I have a boyfriend.
âDonât be an idiot,â I say. The ice pack pulses a numbing void against my forehead. From the wall, a cartoon condom explains, with the winningest of grins, that heâs not reusable.
âIâm just saying,â Karina says. âHe called that ass out by name. He was likeââshe drops her voice to an absurd baritone and affects something like a Polish accentâââKia Summers! Please for to come to ze front of ze el roomio.ââ
âKarina.â
âYou in love, girl. Thatâs okay. We all are. Homeboy is eight feet tall and fine as fuck. And heâs packinâ. Iâm just mad itâs you, not me, but
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