and shrugs, This is nothing , and now, when the doctor frowns, there is no sympathy in it: Submit to spousal abuse if you will. A blush creeps up Jadeâs throat and tints her ears, her shame exacerbated by the doctorâs indifference, for he, assuming she is a highly troubled individual, ably ignores her, bending to his task. Extracted from her heel, brandished under the hooded medical lamp, is a sliver of rusted metal. No, she canât remember when she had her last tetanus shot. Hatred figures in the look she gives David when the needle goes in.
âWe need to talk.â
âI have to get to the office.â
âWith that foot?â
Left foot in a steep high heel, the injured right mummified in stretchy bandages and jammed into an old moccasin, she faces him asymmetrically. âDo you know why they do this? Make the bandages this sick beige ? Itâs the shade of cadaverous Caucasian flesh. Itâs an intimation of mortality. Itâs so you wrap your rotting foot in your own future dead skin.â In frustration, she kicks off the high heel and tries a flat. âI did hear what you said, and yes of course weâll talk, but I seriously have no time, this morningâs the Kelsis thing.â
âKelsis?â he calls. âKelsis?â
âThe thing,â she calls over her shoulder. âThe thing I told you about.â
The thing she didnât tell him about.
He needs to collect his wits, to shave skittishly around the swollen hinge of his jaw, to negotiate rush hour traffic with Zen serenity, to sit down at his desk and chart the decline of the black-footed ferret. He needs the escapism inherent in any ordinarily bad day. After lunch, he opens a fat packet that informs him heâs been hit with a SLAPP suit. Nobody else in EPIC is named in the suit, only him. He is married to a lawyer, and would solicit her ultracompetent advice except that, this morning, she said Kelsis, and Kelsis is a small mining operation near the Arizona border whose radioactive runoff has been turning up in wells in the next county. Even worse, his records for the prospective Kelsis suit, like all the files on his computer, have vanished. He goes through his desk drawers hoping to find penciled notes or a backup disk holding some pertinent trace, but no, thereâs nothing, and in trying to reconstruct the basic outlines of the case, he loses track of time, and itâs well after midnight when he turns the key in his front door. As was his habit on certain dire nights in his previous two marriages, he eats a bowl of childrenâs cerealover the kitchen sink, then swallows a couple of aspirin to mute the ache in his jaw and the pain in his back, which has bothered him more in the last twenty-four hours than it has since he fell. When he glances into their room, Jade is sitting up in bed, a legal pad against her knees, spectacles on her nose, and though she knows heâs there, she doesnât stop writing. This means either that sheâs hot after an idea or that last nightâs grievanceâthe belief that he was responsible for the needleâs piercing her footâhas festered during ten professionally hostile hours at her firm. The rug has disappeared from the floor, he notes, and notes, in himself, the absence of any reaction to the loss, for which Jade will manufacture some credible explanation, but why does she get to preside over what goes, what stays? The rug was his catastrophe, he should say how it ends. The door to the boysâ room is ajar, their nightlight on, Shaneâs bed a mess, because Shane is a poor sleeper, rousing and turning at the slightest of soundsâthe back of his motherâs hand connecting with his fatherâs jaw, say. Neither boy is there, of course. Thereâs no telling when Susannah will entrust them to this household again. The nightlight is a nautilus shell shielding a miniature bulb, and by its glow, David sits in the corner,
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