Maud's Line

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Authors: Margaret Verble
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mules, automobiles, and people. Maud parted ways with Nan, walked in and out of stores on Lee Street, spoke with people she hadn’t seen in a while, and let a boy she knew from school buy her a Coca-Cola. After finishing the soft drink, she extracted herself with the promise of a dance and with the excuse of needing to give Lovely a message from her father.
    Maud didn’t really think Lovely and Early had yet made it into town; Lovely hadn’t started washing up when she’d left, and Early would want to make a late appearance so he could make the women wait. As for Mustard, Maud didn’t think he’d take the occasion to slip down to the Mounts’ to extend the feud because, for the moment, he had the upper hand. She figured he’d spend the early part of his evening near his bootlegger’s and come to the dance shouting drunk but before he was falling down.
    She did keep her eye out for the Mount brothers so she wouldn’t be taken by surprise again. But with the town filling up, it was hard to scan the crowd well enough to be certain someone wasn’t coming up on her from behind or at her from a catty-cornered direction. She stayed mostly on the planks in front of the stores, looked in windows for items that struck her fancy, and talked to girls she knew, and to more boys, too. She’d promised several dances and had gossiped about a friend’s upcoming marriage when, from down the street, she heard the fiddlers tuning up. She loitered some more, went into and out of Berd’s Drugstore without buying anything, and wound toward the dance corner looking for the bright blue canvas that was to her mind the prettiest thing ever set against the sky.
    Near the corner, she walked the length of the Pierce building, hesitated for a moment, and then peered through its two arches to the fiddlers’ stage. Above it, men were hanging lanterns and behind them were two rolls of blue sitting atop the hull of a wagon. The rolls sucked Maud’s breath into her chest. Her heart began to flutter like a bird that wants out of a cage. She spun around and put her hand on one of the stone columns that supported the second story of the building. Her other hand she drew to her breast. She needed a plan to get over to the wagon. She couldn’t think of one; her wits had suddenly scattered. So instead of walking toward the bright blue, she crossed the intersection, brought a buckboard to a halt without noticing it, and walked entirely in the opposite direction. She passed clumps of blanket Indians sitting on the curb wearing black hats with feathers, passed their wives and children parked in groups not far away, passed a small house, and walked even farther up the road until it bordered a long, deep lawn in front of the Nash Taylor mansion.
    Mr. Taylor had been dead since Maud was a little girl. But his grandson (who was also Mr. Singer’s son) lived in his grandfather’s house and ran the general store that still bore the Taylor name. The home was the grandest Maud had ever seen, even bigger and better than her Mr. Singer’s, and although she’d never been inside, she’d toyed in her imagination with the home being her own from the first time she’d laid her eyes on its two-story center section and double front porches. She didn’t actually hope to live in that house, but she hoped to live in one just like it. And whenever she glimpsed the home, she used it as a guide, much like a sailor uses the brightest stars in the sky. She sat down on one of the sandstone slabs in the front lawn and positioned herself at an angle so that she could see the house without appearing to watch it, see the road, and also, in the far distance, see a corner of one of the blue rolls over Booker’s wagon. The house and the blue canvas anchored Maud while she tried to plan.
    She was still cogitating when she heard the first tune, “When the Red, Red Robin Comes Bob, Bob, Bobbin’

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