blonde. But I was still nearly a decade away from hooking up with Catherine when I arrived in December of 1971 in Houston for the next level of post-graduate education in journalism and crime reporting. While any murder in Flint rated a story for The Journal , the two Houston papers had to prioritize. They did not have enough room to cover all, so each murder story needed its own "man-bites-dog" element to justify the space.
I had my first taste of the fast lane when I reported for duty in the fourth floor press room at the Houston Police Department's 61 Reisner Street headquarters. Before noon I had lost about $25 in a poker game that was interrupted by the killing of a bank president who had tried to stop a robbery with his personal sidearm only to die in a hail of gunfire as he chased the robbers down the street.
The morning delivery Post had hired me specifically to become one of its night police beat reporters. New hires usually covered the cops for about a year before promotion to assignments with less gore and more reasonable hours. After my daytime orientation, I began working the night shift of six-to-two, Sunday through Wednesday. I filed stories directly from a community press room in the police station using a Western Union-style teletype machine.
Houston's economy was large enough to support two daily papers, and I welcomed the challenge of a true competitive situation with the rival afternoon Houston Chronicle . The Post was owned by the venerable Hobby family, then headed by the matriarch, Oveta Culp Hobby. She was the widow of a former Texas governor and had distinguished herself as well heading the Women's Army Corps during World War II. Her son, William P. Hobby Jr., served as editor of The Post but had divided his time just then running what would be a successful campaign to win election as Texas Lieutenant Governor, a position he would hold from 1973 until 1991. To her credit, Mrs. Hobby was a hands-on, news junkie type of executive with a penchant for popping into the newsroom just to see what might be going on. The Post served as a flagship for a family media empire that also included ownership of the local NBC radio and television affiliates. Although those electronic outlets generated greater revenues, the daily paper ranked as her professional love. A true matriarch, she considered its stories the diary for her town and its reporters part of her family. She seemed less concerned with how much money the paper made than with how it was done.
My city editor was an easygoing fellow named Jim Holley who had supervised the reporting six years earlier on a series of articles that won the paper its only Pulitzer Prize. That saga still ranks among the most exciting of the Pulitzer Prize archives as The Post uncovered a web of corruption in the neighboring City of Pasadena, an industrial enclave along the Houston Ship Channel. At one point the paper hired a bodyguard for the reporter who eventually claimed the national investigative prize under Holley's supervision.
As the night police reporter for The Post , I shared the police station press room with my counterpart from the Chronicle , a reporter my same age named Tim Fleck. He later would earn fame as a local political commentator in the 1990s. But back in those days we occupied the lowest link on the food chain at our respective publications. We usually played several games of chess each night while waiting for news to break by monitoring the six individual radio speakers that broadcast conversations between police cruisers and central dispatch. Once an hour we would walk the halls visiting detectives in the homicide and robbery divisions to ferret out stories from them. Back in those days, reporters enjoyed an amicable relationship with cops, and we were usually welcome in their offices. Often we served as witnesses on confessions, and I sometimes participated in lineups when detectives needed extras to fill the slots around the usual suspects. On