Lovers and Newcomers

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Authors: Rosie Thomas
Tags: Fiction, General
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Barbara and me. Just don’t mess up her life any more than you’ve done already.’
    ‘I won’t do that,’ Selwyn promised.
    He was true to his word. He gave up his medical studies, left London, and went to stay with the friends in Somerset who had been going to lend the happy couple their cottage for the honeymoon. He started work with a local carpenter, discovered that he had a talent for woodworking, and in between fitting staircases and kitchen cupboards he began to buy, restore and sell furniture.
    Miranda recovered, helped by a rebound affair with an actor.
    Seven years later, when Amos Knight married the quiet, pretty girl called Katherine whom he had met at the house of one of the other young barristers in his chambers, Miranda wore to their wedding the Ossie Clark dress and the Biba hat. The outfit was by then grotesquely out of fashion, but Miranda carried it off. She was on the brink of making a small name for herself as an actress.
    I can’t stop myself. Instead of walking out of the kitchen I lift my head, and our eyes meet. Selwyn’s eyelashes and hair are coated with grey dust, as if he’s made up to play an old man on some amateur stage. He doesn’t try to reach out for me again, and I’m sharply aware that this is disappointing. My heart’s banging against my ribs, surely loud enough for him to hear, and my mouth is so dry that I don’t think I can speak.
    Why now? Why, after all these years, is this happening again?
    The answer comes to me: it’s precisely because of now.
    We’re not young any longer, there’s no network of pathways branching invitingly ahead of us. No personae to be tried on for size. We’re what, and who, we are.
    But we’re not yet ready to be old.
    We stand in the silent kitchen, speechless and gaping like adolescents, but both of us realizing that through decades of duty and habit we’ve somehow forgotten about the thrill of choice: oh God, the breathtaking drama of sexual choice . The cliché that swims into my head might have been made for this instant. I do feel weak at the knees. I’m not sure that my legs will hold me upright.
    When I don’t say anything, Selwyn sighs. He brushes his hand through his hair and a shower of splinters and plaster particles fall like snow.
    ‘Would it be all right for me to have a bath?’ he asks.
    ‘You don’t have to ask permission. You live here.’ My voice comes out in a croak, sounding as if I’ve borrowed it from someone else.
    ‘Thank you,’ he says.
    I listen to his steps as he goes upstairs, the familiar creak of the oak boards, the clink of the bathroom latch somewhere overhead.
    Without giving myself time to think, I run after him.
    From the linen cupboard opposite my bedroom door I snatch up an armful of fresh towels. I race along the landing and push at the bathroom door. Not locked. It swings inwards.
    The taps are full on and the room is already cloudy with steam.
    Selwyn’s barefoot. He’s taken off his filthy sweater and shirt and dropped them on the floor. As soon as he sees me he nudges the clothes gently aside with his bare foot, clearing a space. He holds out his arms.
    What I feel is an extraordinary lightening, giddiness, swirling of blood; it’s like being very drunk but with all my senses cleansed and heightened.
    ‘I’ve brought you some clean towels.’
    ‘No, you haven’t.’
    He snatches the towels and drops them on top of the clothes.
    It’s me who takes the last step.
    Our mouths meet. Immediately we begin to consume each other, as if we’re starving, with the steam billowing in clouds around us. Out of the corner of my eye, as Selwyn twists off my jersey, I see that the bath is almost overflowing.
    Once we’re started, rediscovering the inches of skin and the declivities and shadows of a pair of bodies that were once familiar territory (only yesterday, as it now seems), it’s impossible to stop.
    Selwyn fumbles to his knees, drawing me down with him, wrestling to extricate me from

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