Little Birds

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Authors: Anaïs Nin
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another. I did not have the money to return home, nor the money to pay for my room. I knew nobody. The country was beautiful, mountainous, but I could not enjoy it.
    The next day I took a long walk and came upon a log cabin by the side of a river. I saw a man painting there, out of doors. I spoke to him. I told him my story. He did not know Ronald, but he was angry. He said he would try to help me. I told him all I wanted was to earn enough to return to New York.
    So I began to pose for him. His name was Reynolds. He was a man of thirty or so, with black hair, very soft black eyes and a brilliant smile—a recluse. He never went to the village, except for food, nor frequented the restaurants or bars. He had a lax walk, easy gestures. He had been on the sea, always on tramp steamers, working as a sailor so that he could see foreign countries. He was always restless.
    He painted from memory what he had seen in his travels. Now he sat at the foot of a tree and never looked around him but painted a wild piece of South American jungle.
    Once when he and his friends were in the jungle, Reynolds told me, they had smelled such a strong animal odor they thought they would suddenly see a panther, but out of the bushes had sprung with incredible velocity a woman, a naked savage woman, who looked at them with the frightened eyes of an animal, then ran off, leaving this strong animal scent behind her, threw herself into the river and swam away before they could catch their breath.
    A friend of Reynolds had captured a woman like this. When he had washed off the red paint with which she was covered, she was very beautiful. She was gentle when well treated, succumbed to gifts of beads and ornaments.
    Her strong smell repelled Reynolds until his friend had offered to let him have a night with her. He had found her black hair as hard and brisdy as a beard. The animal smell made him feel he was lying with a panther. And she was so much stronger than he that after a while, he was acting almost like a woman, and she was the one who was molding him to suit her fancies. She was indefatigable and slow to arouse. She could bear caresses that exhausted him, and he fell asleep in her arms.
    Then he found her climbing over him and pouring a little liquid over his penis, something that at first made him smart and then aroused him furiously. He was frightened. His penis seemed to have filled with fire, or with red peppers. He rubbed himself against her flesh, more to ease the burning than out of desire.
    He was angry. She was smiling and laughing softly. He began taking her with a rage, driven by a fear that what she had done to him would arouse him for the last time, that it was some sort of enchantment to get the maximum of desire from him, until he died.
    She lay back laughing, her white teeth showing, the animal odor of her now affecting him erotically like the smell of musk. She moved with such vigor that he felt she would tear his penis away from him. But now he wanted to subjugate her. He caressed her at the same time.
    She was surprised by this. No one seemed to have done this to her before. When he was tired of taking her, after two orgasms, he continued to rub her clitoris, and she enjoyed this, begging for more, opening her legs wide. Then suddenly she turned over, crouched on the bed and swung her ass upward at an incredible angle. She expected him to take her again, but he continued to caress her. After this it was always his hand that she sought. She rubbed against it like a huge cat. During the day, if she met him she would rub her sex against his hand, surreptitiously.
    Reynolds said that that night had made white women seem weak to him. He was laughing as he told the story.
    His painting had reminded him of the savage woman hiding in the bushes, waiting like a tigress to leap and run away from the men who carried guns. He had painted her in, with her heavy, pointed breasts, her fine, long legs, her slender waist.
    I did not know how I

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