Last Tales

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Authors: Isak Dinesen
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sorest pain haspenetrated and torn asunder even this heart of mine. A woman, radiant, triumphant like a song, smiled upon me—and went away again!”
    “Life’s sorest pain?” Angelo repeated as before.
    “She was a great lady traveling from England,” said Pino. “Three years ago, in Venice, as she got into her gondola, she gave me such a deep, friendly, animated glance, such a goddess glance, that thereby heaven came down and walked on earth! I followed her, we met again, and each time her eyes gave me the same greeting out of her soul’s inexhaustible riches. Once she spoke to me. She was tall like a statue, she wore a silk robe that rustled gently, her hair was like red-golden silk!”
    Pizzuti raised his right hand to the sky. “But I,” he cried out, “I lack these my three fingers, and will nevermore make my puppets dance! When she had gone away, the world was a void—and yet how full of pain! I had just one thing left to me in my infinite destitution: to talk with somebody who might possibly, just once in the course of the day, speak her name. I remained in Venice for two years, solely to sit with her gondolier, a plebeian who could neither sing nor play, hoping for this: that he would pronounce her name, as if waiting for sweet music to come from his lips. But he married, and his wife forbade me her house. O Angelo Santasilia—all life that I have in me consumes itself!”
    Pino let his head fall onto his breast; tears poured down his face onto his greasy black cloak.
    “You must not let that worry you,” said Angelo. “It is a good thing to have a great sorrow. Or should human beings allow Christ to have died on the cross for the sake of our toothaches?”
    After a while he continued: “Tell me her name, Pino. Then you will stay on in my house, and I will speak it once a day.”
    Pino closed his eyes, made two attempts to speak, but remained silent. He whispered, “I cannot.”
    Lucrezia’s red-cheeked maid came from the house, smiling, with a tray containing wine, cheese and bread, and a cold chicken. Angelo poured out wine to his friend and to himself. The old wanderer was obviously hungry, yet he ate and drank slowly, as now he did everything.
    “And you, Angelo,” he said, “how have things gone with you?”
    It was now Angelo’s turn to report on his life in the seven years that had gone. He told Pino of the works he had completed since they had seen each other, and of the large orders he received from princes and cardinals, of the pupils who flocked to his school and of his children. When he stopped, Pino’s gaze met his, and for some time they sat thus in silence. It seemed strange to Angelo to be sitting again with Pizzuti.
    “Yes, you see, Pino,” he at length said slowly. “All this—art, a lovely wife, beautiful children, renown, friends, wealth—all this will constitute a man’s happiness, my happy life. But you know that there be rivers which at one place in their course disappear into the ground and run beneath it for a couple of miles. Woods and rose gardens grow in this ground, but beneath them runs the river. In that same way a river is running beneath my happiness, and only to you can I speak of it. That river is the secret which Lucrezia bears and keeps from me. For I do not know what happened on the night when I was hostage for Leonidas Allori in prison.
    “She has never spoken of it. Many times I have waited for a word from her lips which would solve the riddle. On our wedding night I waited for it—and the river ran deep below our bridal bed. One day when we walked together along the seashore, and there was an offshore wind, and she gazed at me, I waited for it. But she has never spoken, her full sweet lips have always been sealed over the secret. While I was still young, I felt that I might have to kill her if she continued to keep silent.
    “But I have reflected,” he went on, “that I have no claimson her. For the entire being of a woman is a secret, which

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