cemeteries closed down. Or at least they said they did. They might have left him in Lincoln Park, for all we know. Or even down by the Water Tower.
The guy he killed stayed buried in one place longer than he did, but in 1891 they accidentally dug up La Lime during construction and gave his bones to the Chicago Historical Society. Iâm sure they must have been thrilled.
After Rick explains all this, he says, âNow tell that story back to me, like we were on a tour.â
And I do. I repeat the story, then he helps me refine it, and tells me how to figure out which parts are important, which parts I would only throw in if I had time, and where the âgaspâ lines are, the factoids thatâll make peopleâs jaws drop if I tellthem just right. This one isnât a story he tells on the regular route, but itâs good practice, and the spot where they dug up La Lime is close enough to the usual routeâtwo blocks south of the gallows siteâthat we can use it as an alternate tour stop if we canât access all the usual ones some night.
When weâre done with that exercise, the three of us head north on the path and end up at a massive family plot with a giant statue of a bored-looking guy on a throne, staring down at a reflecting pool, some benches, and a bunch of small stone markers.
âThis,â says Rick, âis the grave of Marshall Field, the department store guy, and his family.â
âThe reflecting pool is full of the tears of his workers,â says Cynthia.
âWith benches, so Field could enjoy the company of the sort of weirdos who hang out in cemeteries,â I say.
âIronic,â says Rick, âbecause he hated weirdos.â
Rick tells me some stories about how Field had helped get a group of anarchists hanged, and the mystery of whether his sonâs death was really an accident, like Mr. Field insisted, or if he was killed in a brothel, like everyone else believed.
Cyn walks up to the grave of Marshall himself and shouts âYou stole all your good ideas from Harry Selfridge!â
âDare you to piss in the reflecting pool,â says Rick.
Eventually we end up on Burnham Island, a tiny wooded isle in the middle of the cemetery lake. Itâs sort of eerie here.
Rick loves it. âIt looks like the spot where a guy in a folk ballad would take his pregnant girlfriend to murder her.â
âMight make it more haunted,â says Cyn.
She opens her backpack, pulls out some sandwiches and drinks, and sets us up for a graveyard-island picnic next to a boulder marking the burial place of Daniel Burnham, an architect.
The sandwiches are made with mayonnaise and look like theyâve been in the bag long enough to turn. But Rick tears into his, and Cyn looks at me expectantly, so I take a bite of mine and smile. Itâs terrible and possibly poison. But I donât want to hurt her feelings. I nibble the edges and put the rest in my purse when she isnât looking.
âSo, you definitely want the job?â asks Rick.
âHell yeah.â
He nods. âWeâll do your real initiation after the next tour,â he says. âYou make it through that, youâre one of us.â
âOne of us. One of us,â Cyn chants.
Right after the picnic, we get off the island and roam through the cemetery, past a bunch of mausoleums with the same basic aesthetic as the Couch tomb, and Cyn shows me how to see inside some of them. A couple of them arenât locked as tight as they should be, and no one cares since the whole family has died out and no one maintains them anymore. âGood places to stash some valuables if you ever need to,â she says. âNo oneâs ever gonna look.â
Good to know.
I pull the sandwich from my purse, shudder at the thought of eating any more of it, and when Cynâs and Rickâs backs are turned, I slide it into one of the tombs to rot away, never to be seen again.
We do
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