JM03 - Red Cat

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Authors: Peter Spiegelman
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Werner yet, or from the other ex-Gimlets I’d left messages for. I tried Werner first, but didn’t even get the answering machine. I gave up after a dozen or so rings. I tried Kendall Fein, out in LA, with much the same result. I had better luck with Terry Greer. He still lived in the city and still acted in way-off-Broadway theater and, best of all, he was actually at home.

    I put another couple of miles on my accident story and Greer was eager to talk. His voice was youthful and friendly, and though his story was nothing I hadn’t heard before— that he hadn’t kept in touch with any of the Gimlets; that, when he knew them, Holly and Gene were prickly and self-absorbed; that Holly’s plays were problematic, at best, but that she was a hell of an actress— he nonetheless turned out to be a little pot of gold. Greer had pictures.

    “My girlfriend was just cleaning out that drawer last night. I was going to dump those old photos, but she put them in a box. They’re not great art or anything, just snapshots from when we all went for drinks after the last performance of Liars Club. That was the last thing we did together.”

    “Snapshots are better than what I’ve got now,” I said.

    “I guess so.” Greer chuckled. “Well, you can pick them up whenever— there’s usually somebody around.”

    Pictures.

    I called David’s cell and got his voicemail and, eventually, a call back. He was in a car, on the way to the airport and not alone. I heard a man’s voice nearby, my brother Ned’s. David listened silently while I told him about my trip to Brooklyn, my conversations with the former Gimlet Players, and Greer’s pictures. His voice was full of business and studied neutrality when he spoke.

    “That all sounds reasonable,” he said. “I’m back Tuesday night; we can follow up on Wednesday.”

    He hung up and I headed for the door.

    * * *

    Greer lived not far from me, in a beaten-up brownstone on West Twenty-second Street, off Tenth Avenue. His apartment was on the second floor and, to judge by the number of names on his mailbox, he shared it with at least three other people. Greer wasn’t in when I buzzed but, as promised, someone was. The roommate was a lanky, twentysomething guy with blond hair and a bad beard; he came to the apartment door in a Columbia sweatshirt and a cloud of reefer smoke. He gave me an envelope and a nod and he shut the door.

    “Thanks,” I said to the empty hall.

    I opened the envelope in the little lobby of Greer’s building. There were two photos in it. They were in color and they showed two men and three women around a scarred wooden table in a corner booth in a bar somewhere. There were beer bottles on the table, and a few empty highball glasses and a candle burning in a red hurricane lamp.

    A pale woman sat at the edge of the group, on the right, looking beyond the camera and maybe beyond the walls of wherever they sat. Her hair was a heavy russet mane, swept back from an angular, icon’s face. Her nose was long and delicate above a broad, mournful mouth, and her eyes were shadowy smudges. She wore a black T-shirt that fit like paint and her breasts were round and full beneath it. One white forearm rested on the table.

    Even poorly lit, she looked like Wren as David had described her to me. More arresting than I’d pictured, more frankly beautiful, but I was almost certain it was her. According to the note Terry Greer had scribbled on the back of the envelope, it was also Holly Cade.

    * * *

    “She’s just not that into him,” Clare said. She was sitting at my kitchen counter, sipping at a vodka tonic and looking at Terry Greer’s photographs. Late-afternoon light came through the windows and warmed the color of her hair. “He’s into her, but she could give a shit.”

    I was mixing a cranberry juice and club soda and eating the cold sesame noodles Clare had brought back. “Who’s not into whom?” I asked.

    “The redhead, and the guy sitting next

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