not the country. Itâs you, in the country.
Your French begins with mineral water and ends with a thin slice of apple. Itâs simpler: starvation diet. The middle is miles of unsmoked tobacco and piles of thin paper to roll it in, with sticky ends. But youâll be curious about the English. Youâve never liked the way you sounded in America, complained that people thought they knew you just by the way your voice hollowed out over certain vowels. You moaned that your vocabulary took on a martial edge, and now youâll want to know: on the page, is there any softening? And I say: of a sort. But I doubt itâll endear you to hear that your American letters are thick with the scent of asphalt melting in the sun. Just pliable, giving under the heel. Bitumen, hydrochloride, diesel drippings. The road one great roasting pan. I wish I knew how you did it. Perhaps you have different pens, but Iâve examined the ink, and would swear itâs all identical.
Come, Vera, have you smiled at all to learn how carefully I categorize you? Even a little? Thatâs my nightingale, my night-blooming flower.
I hope you arenât moping over poor doomed Dina. Such a minor creature to make such a great red stain over our lives. Donât let her. Dinaâs hair was dark, but not so dark as yours. Her skin was white, but yours is milk. Yours is clean teeth, and the tongue that licks them. You know this. The tongue my tongue, counting your incisors and bicuspids, counting your fingers and your toes. Poor Dina had a single candle in her hand, whereas you have ignited a thousand fatal fires with just the tip of your thumb. Judicious and useful. Les petites morts de Vera . I could recite them in front of bishops and have them declared holy, like the deaths of saints. This one in a moving car. This one leaning against the door frame. This one on a fainting couch, your father in the very next room, waiting to pour us glasses of gin. Whereas Dina had just one death, slow and dumb. Lying in her bed, as still as a virgin.
You know, I have at times considered shooting you in the gut just to see how differently youâd take the pain. The distinction, I think, wouldbe enormous. Not wan, but angry. Your face alive with terse revenge until the moment it was not. Every second a mortal danger to me, as your precious blood drained out into a puddle round my feet. I would not want to cross you, Vera; it would be safer to kill you. Youâre more formidable than I am. We both know that.
Please write and let me know about your plans for the rest of the summer. I sit in tense anticipation.
Â
Zoya
15.
I was a student at the Donne School for a year and a half, spending my one interim summer mimeographing research notes for an anthropology professor before graduating without particular honors. Margaret, for reasons unknown, withstood me the whole timeâperhaps it was the frequency with which she awoke to find me gone, staying out the entire day at Marieâs caf é , or in class, or at the library. Perhaps it was my clothes, never any competition for her own. On the rare occasions when we left the dorm together I looked like some downtrodden child sheâd picked up on the street so she could warm me up with a cup of soup, which only made me avoid her more earnestlyâas did the fear that Cindy or Adeline might tell her about my shadowing campaign, despite their promises to the contrary. Anyway it was embarrassing to be seen together. I was used to a discount-bin wardrobe, but not to being surrounded by so many people who could afford to do better. In the spring my green coat became too warm, and so I lost even that small piece of armor.
It was a relief not to need a new roommate for my second year, though. Other girls pressed their foreheads together and giggled, plotting to get peak real estate in the towers, with garden views and proximity to the caf. Sometimes they exploded into spectacular arguments: one ing
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