Read Online In the Garden of Beasts by Erik Larson - Free Book Online
Authors: Erik Larson
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stimulate ideas, and the love of writing is contagious.”
Martha in turn was impressed by Mildred. “I was drawn to her immediately,” she wrote. Mildred exhibited an appealing combination of strength and delicacy. “She was slow to speak and express opinions; she listened quietly, her large grey blue eyes serious … weighing, evaluating, trying to understand.”
COUNSELOR GORDON PLACED MARTHA in a car with a young protocol secretary assigned to accompany her to the hotel where the Dodds were to live until they could find a suitable house to lease. Her parents traveled separately with Gordon, Messersmith, and Messersmith’s wife. Martha’s car proceeded south over the Spree into the city.
She found long, straight boulevards that evoked the rigid grid of Chicago, but the similarity ended there. Unlike the skyscraper-forested landscape she had walked through every workday in Chicago, here most buildings were rather short, typically five stories or so, and these amplified the low, flat feel of the city. Most looked to be very old, but a few were jarringly new, with walls of glass, flat roofs, and curved facades, the offspring of Walter Gropius, Bruno Taut,and Erich Mendelsohn, all condemned by the Nazis as decadent, communist, and, inevitably, Jewish. The city was full of color and energy. There were double-decked omnibuses, S-Bahn trains, and brightly colored trams whose catenaries fired off brilliant blue sparks. Low-slung automobiles thrummed past, most painted black, but others red, cream, and deep blue, many of unfamiliar design: the adorable Opel 4/16 PS, the Horch with its lethal arrow-in-bow hood ornament, and the ubiquitous Mercedes, black, low, edged with chrome. Joseph Goebbels himself was moved to capture in prose the energy of the city as exhibited in one of its most popular shopping avenues, the Kurfürstendamm, albeit in an essay meant not to praise but to condemn, calling the street “the abscess” of the city. “The bells on the streetcars ring, buses clatter by honking their horns, stuffed full with people and more people; taxis and fancy private automobiles hum over the glassy asphalt,” he wrote. “The fragrance of heavy perfume floats by. Harlots smile from the artful pastels of fashionable women’s faces; so-called men stroll to and fro, monocles glinting; fake and precious stones sparkle.” Berlin was, he wrote, a “stone desert” filled with sin and corruption and inhabited by a populace “borne to the grave with a smile.”
The young protocol officer pointed out various landmarks. Martha asked question after question, oblivious to the fact that she was trying the officer’s patience. Early in their drive, they came to an open plaza dominated by an immense building of Silesian sandstone, with two-hundred-foot towers at each of its four corners, built in what one of Karl Baedeker’s famous guidebooks described as “florid Italian Renaissance style.” This was the Reichstagsgebäude, in which Germany’s legislative body, the Reichstag, had convened until the building was set afire four months earlier. A young Dutchman—a lapsed communist named Marinus van der Lubbe—was arrested and charged with the arson, along with four other suspects named as accomplices, though a widely endorsed rumor held that the Nazi regime itself had orchestrated the fire to stir fears of a Bolshevik uprising and thereby gain popular support for the suspension of civil liberties and the destruction of the Communist Party in Germany. The upcoming trial was the talk of Berlin.
But Martha was perplexed. Contrary to what news reports had led her to expect, the building seemed intact. The towers still stood and the facades appeared unmarked. “Oh, I thought it was burned down!” she exclaimed as the car passed the building. “It looks all right to me. Tell me what happened.”
After this and several other outbursts that Martha conceded were imprudent, the protocol officer leaned toward her and hissed,
Martha in turn was impressed by Mildred. “I was drawn to her immediately,” she wrote. Mildred exhibited an appealing combination of strength and delicacy. “She was slow to speak and express opinions; she listened quietly, her large grey blue eyes serious … weighing, evaluating, trying to understand.”
COUNSELOR GORDON PLACED MARTHA in a car with a young protocol secretary assigned to accompany her to the hotel where the Dodds were to live until they could find a suitable house to lease. Her parents traveled separately with Gordon, Messersmith, and Messersmith’s wife. Martha’s car proceeded south over the Spree into the city.
She found long, straight boulevards that evoked the rigid grid of Chicago, but the similarity ended there. Unlike the skyscraper-forested landscape she had walked through every workday in Chicago, here most buildings were rather short, typically five stories or so, and these amplified the low, flat feel of the city. Most looked to be very old, but a few were jarringly new, with walls of glass, flat roofs, and curved facades, the offspring of Walter Gropius, Bruno Taut,and Erich Mendelsohn, all condemned by the Nazis as decadent, communist, and, inevitably, Jewish. The city was full of color and energy. There were double-decked omnibuses, S-Bahn trains, and brightly colored trams whose catenaries fired off brilliant blue sparks. Low-slung automobiles thrummed past, most painted black, but others red, cream, and deep blue, many of unfamiliar design: the adorable Opel 4/16 PS, the Horch with its lethal arrow-in-bow hood ornament, and the ubiquitous Mercedes, black, low, edged with chrome. Joseph Goebbels himself was moved to capture in prose the energy of the city as exhibited in one of its most popular shopping avenues, the Kurfürstendamm, albeit in an essay meant not to praise but to condemn, calling the street “the abscess” of the city. “The bells on the streetcars ring, buses clatter by honking their horns, stuffed full with people and more people; taxis and fancy private automobiles hum over the glassy asphalt,” he wrote. “The fragrance of heavy perfume floats by. Harlots smile from the artful pastels of fashionable women’s faces; so-called men stroll to and fro, monocles glinting; fake and precious stones sparkle.” Berlin was, he wrote, a “stone desert” filled with sin and corruption and inhabited by a populace “borne to the grave with a smile.”
The young protocol officer pointed out various landmarks. Martha asked question after question, oblivious to the fact that she was trying the officer’s patience. Early in their drive, they came to an open plaza dominated by an immense building of Silesian sandstone, with two-hundred-foot towers at each of its four corners, built in what one of Karl Baedeker’s famous guidebooks described as “florid Italian Renaissance style.” This was the Reichstagsgebäude, in which Germany’s legislative body, the Reichstag, had convened until the building was set afire four months earlier. A young Dutchman—a lapsed communist named Marinus van der Lubbe—was arrested and charged with the arson, along with four other suspects named as accomplices, though a widely endorsed rumor held that the Nazi regime itself had orchestrated the fire to stir fears of a Bolshevik uprising and thereby gain popular support for the suspension of civil liberties and the destruction of the Communist Party in Germany. The upcoming trial was the talk of Berlin.
But Martha was perplexed. Contrary to what news reports had led her to expect, the building seemed intact. The towers still stood and the facades appeared unmarked. “Oh, I thought it was burned down!” she exclaimed as the car passed the building. “It looks all right to me. Tell me what happened.”
After this and several other outbursts that Martha conceded were imprudent, the protocol officer leaned toward her and hissed,
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