In Cold Blood

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Authors: Truman Capote
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aware of failure. In fact, they both thought their den a triumph and a blessing—Nancy because it was a place where she could entertain “the gang” without disturbing her mother, and Kenyon because here he could be alone, free to bang, saw, and mess with his “inventions,” the newest of which was an electric deep-dish frying pan. Adjoining the den was a furnace room, which contained a tool-littered table piled with some of his other works-in-progress—an amplifying unit, an elderly wind-up Victrola that he was restoring to service.
    Kenyon resembled neither of his parents physically; his crewcut hair was hemp-colored, and he was six feet tall and lanky, though hefty enough to have once rescued a pair of full-grown sheep by carrying them two miles through a blizzard—sturdy, strong, but cursed with a lanky boy’s lack of muscular coordination. This defect, aggravated by an inability to function without glasses, prevented him from taking more than a token part in those team sports (basketball, baseball) that were the main occupation of most of the boys who might have been his friends. He had only one close friend—Bob Jones, the son of Taylor Jones, whose ranch was a mile west of the Clutter home. Out in rural Kansas, boys start driving cars very young; Kenyon was eleven when his father allowed him to buy, with money he had earned raising sheep, an old truck with a Model A engine—the Coyote Wagon, he and Bob called it. Not far from River Valley Farm there is a mysterious stretch of countryside known as the Sand Hills; it is like a beach without an ocean, and at night coyotes slink among the dunes, assembling in hordes to howl. On moonlit evenings the boys would descend upon them, set them running, and try to outrace them in the wagon; they seldom did, for the scrawniest coyote can hit fifty miles an hour, whereas the wagon’s top speed was thirty-five, but it was a wild and beautiful kind of fun, the wagon skidding across the sand, the fleeing coyotes framed against the moon—as Bob said, it sure made your heart hurry.
    Equally intoxicating, and more profitable, were the rabbit roundups the two boys conducted: Kenyon was a good shot and his friend a better one, and between them they sometimes delivered half a hundred rabbits to the “rabbit factory”—a Garden City processing plant that paid ten cents a head for the animals, which were then quick-frozen and shipped to mink growers. But what meant most to Kenyon—and Bob, too—was their weekend, overnight hunting hikes along the shores of the river: wandering, wrapping up in blankets, listening at sunrise for the noise of wings, moving toward the sound on tiptoe, and then, sweetest of all, swaggering homeward with a dozen duck dinners swinging from their belts. But lately things had changed between Kenyon and his friend. They had not quarreled, there had been no overt falling-out, nothing had happened except that Bob, who was sixteen, had started “going with a girl,” which meant that Kenyon, a year younger and still very much the adolescent bachelor, could no longer count on his companionship. Bob told him, “When you’re my age, you’ll feel different. I used to think the same as you: Women—so what? But then you get to talking to some woman, and it’s mighty nice. You’ll see.” Kenyon doubted it; he could not conceive of ever wanting to waste an hour on any girl that might be spent with guns, horses, tools, machinery, even a book. If Bob was unavailable, then he would rather be alone, for in temperament he was not in the least Mr. Clutter’s son but rather Bonnie’s child, a sensitive and reticent boy. His contemporaries thought him “stand-offish,” yet forgave him, saying, “Oh,
Ken
yon. It’s just that he lives in a world of his own.”
    Leaving the varnish to dry, he went on to another chore—one that took him out-of-doors. He wanted to tidy up his mother’s flower garden, a treasured patch of disheveled foliage that grew beneath her

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