In a Free State

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Authors: V.S. Naipaul
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just a roll and a frolic but a big creature weighing a hundred-and-so-many pounds who is going to be around afterwards.
    So the moment of victory passed, without celebration. And it was strange, I thought, that sorrow lasts and can make a man look forward to death, but the mood of victory fills a moment and then is over. When my moment of victory was over I discovered below it, as if waiting for me, all my old sickness and fears: fear of my illegality, my former employer, my presumption, the
hubshi
woman. I saw then that the victory I had had was not something I had worked for, but luck; and that luck was only fate’s cheating, giving an illusion of power.
    But that illusion lingered, and I became restless. I decided to act, to challenge fate. I decided I would no longer stay in my room and hide. I began to go out walking in the afternoons. I gained courage; every afternoon I walked a little farther. It became my ambition to walk to that green circle with the fountain where, on my first day out in Washington, I had come upon those people in Hindu costumes, like domestics abandoned a long time ago, singing their Sanskrit gibberish and doing their strange Red Indian dance. And one day I got there.
    One day I crossed the road to the circle and sat down on a bench. The
hubshi
were there, and the bare feet, and the dancers in saris and the saffron robes. It was mid-afternoon, very hot, and no one was active. I remembered how magical and inexplicable that circle had seemed to me the first time I saw it. Now it seemed so ordinary and tired: the roads, the motor cars, the shops, the trees, the careful policemen: so much part of the waste and futility that was our world. There was no longer a mystery. I felt I knew where everybody had come from and where those cars were going. But I also felt that everybody there felt like me, and that was soothing. I took to going to the circle every day after the lunchrush and sitting until it was time to go back to Priya’s for the dinners.
    Late one afternoon, among the dancers and the musicians, the
hubshi
and the bare feet, the singers and the police, I saw her. The
hubshi
woman. And again I wondered at her size; my memory had not exaggerated. I decided to stay where I was. She saw me and smiled. Then, as if remembering anger, she gave me a look of great hatred; and again I saw her as Kali, many-armed, goddess of death and destruction. She looked hard at my face; she considered my clothes. I thought: is it for this I bought these clothes? She got up. She was very big and her tight pants made her much more appalling. She moved towards me. I got up and ran. I ran across the road and then, not looking back, hurried by devious ways to the restaurant.
    Priya was doing his accounts. He always looked older when he was doing his accounts, not worried, just older, like a man to whom life could bring no further surprises. I envied him.
    ‘Santosh, some friend brought a parcel for you.’
    It was a big parcel wrapped in brown paper. He handed it to me, and I thought how calm he was, with his bills and pieces of paper, and the pen with which he made his neat figures, and the book in which he would write every day until that book was exhausted and he would begin a new one.
    I took the parcel up to my room and opened it. Inside there was a cardboard box; and inside that, still in its tissue paper, was the green suit.
    *
    I felt a hole in my stomach. I couldn’t think. I was glad I had to go down almost immediately to the kitchen, glad to be busy until midnight. But then I had to go up to my room again, and I was alone. I hadn’t escaped; I had never been free. I had been abandoned. I was like nothing; I had made myself nothing. And I couldn’t turn back.
    In the morning Priya said, ‘You don’t look very well, Santosh.’
    His concern weakened me further. He was the only man I could talk to and I didn’t know what I could say to him. I felt tears coming to my eyes. At that moment I would have liked

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