said, âor it could be the shower scene in Mogambo .â
She finished chewing, swallowed and smiled.
âIs any of that fucking true?â
âWell,â I said, âmaybe the Mogambo part.â
âEverybody fell in love with Grace Kelly in that movie,â she said.
âOh, not everybody,â I said. âDefinitely not me.â
She popped a French fry in her mouth and said, âYouâre sweet.â
âAnd youâre being evasive.â
âIâm not,â she said. âIâm trying to eat.â She took one more bite of the hamburger and then put it down with an air of finality.
âJesus, I must look a fucking sight,â she said, suddenly.
âAvaââ
She stood up.
âI have to get dressed and put my face on,â she said. She headed for the bedroom.
âWhat about your burger?â
âYou finish it.â
The steak wasnât getting any better so I grabbed her burger and took a bite. Well done. I put it down. I had a couple of fries, wondering if she had any reason to go out a window. Or maybe there were French doors from the bedroom.
Why would Ava run from me?
SEVENTEEN
I went out the front door and around to the side. It was almost dark, and the light was on in the bedroom. I peered in her window, saw her seated in front of a vanity applying her make-up, wearing only a pair of panties. I stared at her beautiful back for a few moments too long and started to feel like a peeping ton, so I quickly backed away. It seemed to suddenly get dark and I became nervous about getting jumped, like Larry, so I hurried back to the front door and went inside.
I was sitting at the table, nibbling on fries, when she came back out wearing a pair of tight blue capris and a white blouse with cropped sleeves. Her hair was still damp, but it looked like she meant it to be that way. She had done her eyes up with lashes and eye shadow, and her lips were red. She looked great.
âDid you enjoy the view?â she asked.
âThe view?â
âFrom outside my window.â
âI, uh, was just making sure you didnât, uh . . .â I stammered.
âYou thought I was going to go out the fucking window?â she asked, laughing. âWhy the hell would I do that?â
âI donât know, Ava,â I said. âI donât know what youâre runninâ from.â
âWhat makes you think Iâm running from anything?â she demanded.
âBecause youâve either been runninâ or hidinâ since this morning,â I said.
âJesus,â she said, âhas it only been one day?â
She sat down in an armchair.
âI need a cigarette.â
I looked around. There was a box on a nearby table, and a lighter. I handed her one and lit it for her.
âThanks,â she said, as she let out a plume of smoke.
âHow long has it been, Ava?â I asked. âHow long have you been running?â
She put one hand to her head.
âEddie, thatâs just it,â she said. âI really donât know.â
âWhen were you last at home? In Spain?â
âDays ago, I guess,â she said. âThereâs been a lot of drinking, a lot of . . . men, since I finished the shoot on Fifty-Five Days with Chuck Heston. That . . . didnât go that well. The rushes . . . my skin looks like . . . parchment in that movie.â
âI doubt your skin could ever look like that, Ava,â I said.
She glanced up at me and I wanted to fall into her eyes â as much of a cliché as that sounds. She grabbed my hand, held the back of it to her cheek.
âYou donât think so, Eddie?â she asked. âYou donât think it feels . . . rough?â
I rubbed my hand along her face and said, âI donât think Iâve ever felt anything smoother, or softer.â
Then I got self-conscious and pulled my