sun that it was no longer so early, so he knocked harder. The door opened abruptly. A young woman—slight shoulders, sinewy arms and legs—stared out at him with a confused mixture of surprise and fear. She said something to him in Spanish. Marcus thought he could probably pick her up off the ground with one hand. In English, he said that he had come to fix the electricity. She told him to come inside, that her husband would be right back. He stroked his scraggly beard, bit his lower lip, and crossed the threshold with professional resolve.
He found the semidarkness inside the restaurant quite disorienting. A silent tremor shook the air and something moved among the furniture. The woman noticed that he was uneasy. It’s the kids, she told him, then shouted at them in a threatening voice. They instantly bolted for the stairs and he only managed to get a good look at the last one: about ten years old, barefoot, shorts, no shirt—a long scrawny torso like a plucked chicken. The woman screamed at them again and their laughter answered from a back room. Then she led Marcus to the dining room and showed him the fuse box. The cooks get here at eight-thirty, she said. See if you can fix the problem before then. I’ll be upstairs if you need me.
The restaurant fit the typical TV image he’d gotten of Mexico: large windows, bright colors, mismatched tables. The relative familiarity of the place allowed him to concentrate on the job at hand. He dismantled the fuse box, checked the circuit, and quickly located the socket causing the short. Working very calmly, he isolated the zone, replaced the burned-out pieces, upgraded the wiring, and cleaned the insulators. Every so often he turned to look toward the door that led from the dining room to the house, with the hope of catching sight of some bird—any bird at all.
As the restaurant owner didn’t return, and there was no one to keep an eye on him, he left the fuse box hanging open so that he could charge them for a second hour of service. He gathered up his tools, walked between the tables, looked out the windows, and scanned the inside of the empty kitchen leisurely through the porthole on the door. He thought that if he’d known that the job was going to be so easy he’d have bought himself a newspaper to have something to pass the time with. At last, he sat down at a table next to the restroom, facing the doorway in case anybody stuck their head in. He closed his eyes for a catnap, thinking that he could be doing exactly the same thing at home.
He was on the verge of falling asleep when he heard a very faint voice. It was calling, with a certain insistence, from inside the restroom. He got up and cracked the door open so that he could listen closely without seeing inside. The voice, he confirmed, was speaking to him, and in Spanish. A chill ran down his spine and he broke out in a cold sweat. Yes? he asked in English. The voice said something else to him he couldn’t understand. Then, with his heart in his mouth, he stuck his head inside. Whoever it was, he saw, was calling to him from inside the closed toilet stall. The tremulous voice could have belonged to anybody except a man. Probably a child. Yes? Marcus asked again. He didn’t understand the answer, which now seemed to come from a young woman. He couldn’t even say if it had spoken to him in English—he was too busy thinking that the rest of the family flock was back inside the house, a good distance away, and he was here alone, on the verge of glory. He touched the stall door with his fingertips and felt it give slightly; it wasn’t bolted. He swallowed and asked again what the person needed. The voice, perhaps an old woman’s, repeated in English that it needed napkins. He went out, got a handful of paper napkins from the counter, and went back inside. He steadied himself with his left hand on the upper part of the stall—he could see his own sweat dripping onto the paper napkin, and said: Here they are.
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