House Made of Dawn

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Authors: N. Scott Momaday
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autumn—an illusion still in the land—rises somewhere away in the high north country, a vague suspicion of red and yellow on the farthest summits. And the town lies out like a scattering of bones in the heart of the land, low in the valley, where the earth is a kiln and the soil is carried here and there in the wind and all harvests are a poor survival of the seed. It is a remote place, and divided from the rest of the world by a great forked range of mountains on the north and west; by wasteland on the south and east, a region of dunes and thorns and burning columns of air; and more than these by time and silence.
    There is a kind of life that is peculiar to the land in summer—a wariness, a seasonal equation of well-being and alertness. Road runners take on the shape of motion itself, urgent and angular, or else they are like the gnarled, uncovered roots of ancient, stunted trees, some ordinary ruse of the land itself, immovable and forever there. And quail, at evening, just failing to suggest the waddle of too much weight, take cover with scarcely any talent for alarm, and spread their wings to the ground; and if thenthey are made to take flight, the imminence of no danger on earth can be more apparent; they explode away like a shot, and there is nothing but the dying whistle and streak of their going. Frequently in the sun there are pairs of white and russet hawks soaring to the hunt. And when one falls off and alights, there will be a death in the land, for it has come down to place itself like a destiny between its prey and the burrow from which its prey has come; and then the other, the killer hawk, turns around in the sky and breaks its glide and dives. It is said that hawks, when they have nothing to fear in the open land, dance upon the warm carnage of their kills. In the highest heat of the day, rattlesnakes lie outstretched upon the dunes, as if the sun had wound them out and lain upon them like a line of fire, or, knowing of some vibrant presence on the air, they writhe away in the agony of time. And of their own accord they go at sundown into the earth, hopelessly, as if to some unimaginable reckoning in the underworld. Coyotes have the gift of being seldom seen; they keep to the edge of vision and beyond, loping in and out of cover on the plains and highlands. And at night, when the whole world belongs to them, they parley at the river with the dogs, their higher, sharper voices full of authority and rebuke. They are an old council of clowns, and they are listened to.
    Higher, among the hills and mesas and sandstone cliffs, there are foxes and bobcats and mountain lions. Now and then, when the weather turns and food is scarce in the mountains, bear and deer wander down into the canyons. Once there were wolves in the mountains, and the old hunters of the town remember them. It is said that they were many, and they came to the hunters’ fires at night and sat around in the dark timber like old men wanting to smoke. But they were killed out for bounty, and no one will remember them in a little while. Great golden eagles nest among the highest outcrops of rock on the mountain peaks. They are sacred, and one of them, a huge female, old and burnished, is kept alive in a cage in the town. Even so, deprived of the sky, the eagle soars in man’s imagination; there is divine malice in the wildeyes, an unmerciful intent. The eagle ranges far and wide over the land, farther than any other creature, and all things there are related simply by having existence in the perfect vision of a bird.
    These—and the innumerable meaner creatures, the lizard and the frog, the insect and the worm—have tenure in the land. The other, latecoming things—the beasts of burden and of trade, the horse and the sheep, the dog and the cat—these have an alien and inferior aspect, a poverty of vision and instinct, by which they are estranged from the wild land, and made tentative. They are born and die upon the

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