why you couldnât go to the police?â
âElena didnât know what happened that night. She thought maybe weâd been given something in the food we had for supper, and when she woke up, we were in a truck with a group of workers ⦠and Walsh.â
âDid she recognize Walsh?â
Cara shook her head. âElena worked and lived in our house. She didnât know anything about any of the men who belonged to the Castino or any other cartels. But she could tell Walsh was in charge and that he was ⦠bad.â She moistened her lips. âHer only thought was to find a way for us to escape. But her family had raised her to know that going to the police was an automatic death sentence. She wouldnât risk it. Any more than sheâd risk taking me back to Mexico. She said that if my fatherâs enemies had been able to reach me once, they could do it again.â
âAnd how do you feel about your mother and father?â
âI donât remember them. Sometimes I have a vague memory of a woman with dark hair and a lovely smile. But she smiled more at Jenny, than at me.â She added simply, âAnd Elena was my family. I didnât need anyone else.â
âYou were lucky to have her.â She added gently, âI hope you can be as happy with us.â
Cara nodded. âIf youâll let me stay with you.â She turned and moved back across the room toward the kitchen. She stopped as she saw a painting on the wall of the living room. âThatâs a painting of you.â She gazed at the portrait of Eve in her blue work shirt. âI like it. It looks ⦠warm.â
âIt was done by my daughter, Jane. Sheâs an artist and very, very good. She gave the portrait to Joe as a gift.â
âIs she very famous?â
âNo, sheâs young and just starting out, but people are beginning to know her name.â She started to stir the hamburger again. âShe lives in London because thatâs where her agent and gallery are located.â
She went closer to the portrait and peered down at the scrawled signature. âItâs signed, but itâs notââ
âNot mine or Joeâs last name? Jane MacGuire. Sheâs adopted. She was ten when she came to us.â
âYou must have loved her very much to have chosen her.â
âYes. But we kind of chose each other.â She tasted the hamburger and put the lid on it. âThe cheese definitely helped. Good job, Cara.â
She smiled. âWe did it together.â She came toward her. âWhat else can I do?â
âGet some rolls out of the freezer and put them in the oven. Iâll get down the plates.â She shook her head. âI should have put those rolls in before. This Hamburger Helper is almost done.â
âI kept you too busy,â Cara said as she opened the freezer. âI asked a lot of questions.â
âYes, you did. And I asked you a few, too.â She added, âItâs a process called getting to know each other. How do you think we did?â
âPretty good.â
âMe, too. Dinner can wait a little while. Joe isnâtââ
Even as she spoke she heard the key in the lock, and Joe came into the house.
âHi. Just in time,â she said. âCara and I did a joint experiment, and itâs very close toââ She stopped as she saw what Joe was carrying. âIs that what I think it is?â
âI called the music store from the airport and asked them to choose the best one they had in stock and have it ready for me.â Joe came toward Cara and handed her the black-leather case. âI hope it will do. I donât know anything about musical instruments. I had to trust them.â
âI donât care. It will be wonderful.â Caraâs eyes were glittering with excitement as she took the case and ran to the couch to open it. She carefully took out the
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