the messages conveyed in the novel. Susan Arpajian Jolleyâs 2002 article identifies numerous poems appropriate for study alongside Mockingbird in conjunction with the novelâs themes of âcourage . . . compassion, as well as what we can learn from historyâ (34).
Despite the wide variety of knowledge and guidelines shared on these websites, the teaching of To Kill a Mockingbird is not without its challenges. Ricker-Wilson discusses the âproblematic reader responseâ to the novel from students who were uncomfortable with some of the characterizations. One example: âSomewhat troubling to my students was how . . . Lee invited her readers to have an informed and sympathetic understanding for . . . white characters who kept racism alive and wellâ (72). Other potentially controversial aspects of the novel, such as the frequent use of racial epithets, are discussed in Louel Gibbonsâ recently published NCTE volume, âTo Kill a Mockingbirdâ in the Classroom: Walking in Someone Elseâs Shoes (2009).
Gibbonsâ volume packs a load of information within its 121 pages of text, including a generous selection of writing prompts to stimulate student/reader engagement; assignments connected to studentsâ identification of the traditional elements of fiction; strategies to ensure close reading of the text as it informs punctuation and word choice; ideas for written responses to critical and evaluative essays on Mockingbird ; and recommendations for teaching the film as a âtext separate from the original novelâ (103). Given the virtually up-to-the-minute copyright on this NCTE volume, references to teaching To Kill a Mockingbird with technology are likely to be expected by educators who read or consult this work. While Gibbons recommends âmultimedia presentationsâ to illuminate character analysis (21) and reports her success using library âprint and technological resourcesâ to assemble a research project (37), she fails to make such approaches an integral focus. In this essay, we argue that multimedia/technology-related activities can and should be central to the lesson/unit plan and that it is no longer sufficient to implement technology as a supplementary or add-on classroom activity. Our conclusion is based on recent research, which suggests that student learning is directly related to the integration of technology into the curriculum, which is essential in developing media literacy and assuring overall student engagement in the twenty-first century. Since strategies related to teaching To Kill a Mockingbird can foster such connections, we offer some suggestions in the remainder of this essay.
Media Literacy and Twenty-first Century Skills
As author James Naisbitt wrote in his 1982 book Megatrends , âWe are drowning in information but starved for knowledgeâ (24). This phenomenon of the information age has led many in the literary field to expand the concept of literacy to better prepare students for twenty-first-century realities. Consequently, formal media literacy curricula, as part of a complete ELA program, have been growing in scope and importance in school districts throughout North America and around the world. Various terms are used to describe this expanded definition of literacy that accounts for todayâs merging and converging media. âMedia literacy,â âmedia education,â âtwenty-first-century literacies,â and others are used, but, for the purpose of this essay, we will utilize the term âmedia literacy.â
Numerous organizations like CML (the Center for Media Literacy) and NAMLE (the National Association for Media in Education) have formed in recent years to promote the concept, but more interesting is the support for media literacy from groups like the near century-old NCTE and even the American Pediatrics Association.
The CML defines âmedia literacyâ as follows:
Media
Wendy Corsi Staub
J.C. Stephenson
Ashley Summers
L. Ron Hubbard
Paisley Walker
Ray Robertson
Eliza Gayle
Margie Broschinsky
Jonathan Kellerman
Matthew M. Aid