his pale skin and hair and joyless face. His fingers were long and thin and he played the violin quite well.
âI canât remember any poems, Pa.â
âSure you can, boy,â McCord said. Then, his eyes slits, âSay us one. Now!â
The youngster swallowed hard, then in a small trembling voice, said, âI rise from sleep and find the whole world gone. Vanished. Overnight. And I am left alone in darknessââ
âHell, that ainât poetry!â McCord said. âPoetry rhymes. Any fool knows that.â
He shifted his attention to his foreman.
âFrisco, say a poetry that rhymes.â
âBoss, Iââ
âA poetry that rhymes, Frisco. Thatâs a damned order.â
âAll right, boss. I remember one from my first time up the trail when I was a younker.â
âThen letâs have at it,â McCord said. âJust so long as it rhymes.â
Maddox coughed then said:
Dirty Mary worked in a dairy,
Dick pulled out his big canary.
âOh what a whopper,
Letâs do it proper.â
Trace McCord slapped the arm of his chair and roared with laughter.
âHear that, boy? It rhymes. Now thatâs what I call real poetry.â
Suddenly enraged, he drew back his arm and with all the strength that was in him threw his Irish crystal whiskey glass at his sonâs head.
The boy ducked and glass shattered against the wall.
âWrite poetry! You damned simpering weakling you canât even do that right. Get the hell out of my sight.â
The youngster beat a hasty retreat out the door and into the hallway. His boots sounded on the stairway as he rushed to his room. Upstairs a door slammed shut.
McCord shook his head. âFrisco, Iâm young yet,â he said. âI must sire another son. This time his mother wonât be around to spoil him as Martha did Steve. She turned him into a girly boy, by God.â
âGive the kid time, boss,â Maddox said. âHeâs still learning to hold his own as a man.â
âHeâll never be a man,â McCord said. âI need a son who will grow to manhood, and quick.â
âItâs a pity Polly Mallory didnât work out, boss,â Frisco said.
âYeah. That ended badly. Bitch.â
McCord sat in thought for a few moments, his face working.
Then he said, âOnce all this falderal over the girlâs murder dies down, weâll move against Brendan OâRourke and the Circle-O. I need that winter grass.â
Maddox looked troubled. âOâRourke is a stubborn old Irishman, boss. He wonât move without a fight.â
âOf course he wonât. Thatâs why weâll drive him out or kill him, whatever is the more convenient.â
Maddox bit his lip. He liked the wiry, cantankerous old rancher, and his wife made the best bear sign and flapjacks this side of the Arkansas line.
Frisco Maddox played for time. âYouâre right, boss. Weâll let the fuss over Polly Mallory go away then make our move. The law is too riled up at the moment and we could attract unwelcome attention.â
McCord accepted that at face value, then said, âWhat do you know about this Sam Flintlock ranny?â
âRan with some hard cases in his time, including that Kid Antrim in the New Mexico Territory. Sells his gun. Raised by old mountain men and talks to the ghost of his grandfather.â
âSo heâs crazy.â
âYeah. Like a fox.â
âWe have to see Jamie McPhee hung, Frisco,â McCord said. âBetter for everybody. Thereâs too much restlessness around and it makes me uneasy.â
âPity Sam Flintlock is in the way.â
âCan you take him?â
âHeâs tough and heâs fast.â
âCan you take him?â
âOn a good day, yeah.â
âMake sure all your days are good days until Sam Flintlock is buried.â
McCord picked up another glass and filled it
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