it he could find a way, security or
not. His reluctance is not Pirate’s own over the machinery of Operation Black Wing.
It looks more like shame. Wasn’t Mexico’s face tonight, as he took the envelope, averted?
eyes boxing the corners of the room at top speed, a pornography customer’s reflex . . .
hmm. Knowing Bloat, perhaps that’s what it is, young lady gamming well-set-up young
man, several poses—more wholesome than anything this war’s ever photographed . . .
life, at least. . . .
There’s Mexico’s girl, just entering the room. He spots her immediately, the clarity
around her, the absence of smoke and noise . . . is he seeing auras now? She catches
sight of Roger and smiles, her eyes enormous . . . dark-lashed, no make-up or none
Pirate can see, her hair worn in a roll down to the shoulders—what the hell’s she
doing in a mixed AA battery? She ought to be in a NAAFI canteen, filling coffee cups.
He is suddenly, dodderer and ass, taken by an ache in his skin, a simple love for
them both that asks nothing but their safety, and that he’ll always manage to describe
as something else—“concern,” you know, “fondness. . . .”
In 1936, Pirate (“a T. S. Eliot April” she called it, though it was a colder time
of year) was in love with an executive’s wife. She was a thin, speedy stalk of a girl
named Scorpia Mossmoon. Her husband Clive was an expert in plastics, working out of
Cambridge for Imperial Chemicals. Pirate, the career soldier, was having a year or
two’s relapse or fling outside in civilian life.
He’d got the feeling, stationed east of Suez, places like Bahrein, drinking beer watered
with his own falling sweat in the perpetual stink of crude oil across from Muharraq,
restricted to quarters after sundown—98% venereal rate anyway—one sunburned, scroungy
unit of force preserving the Sheik and the oil money against any threat from east
of the English Channel, horny, mad with the itching of lice and heat rash (masturbating
under these conditions is exquisite torture), bitter-drunk all the time—even so there
had leaked through to Pirate a dim suspicion that life was passing him by.
Incredible black-and-white Scorpia confirmed not a few Piratical fantasies about the
glamorous silken-calved English realworld he’d felt so shut away from. They got together
while Clive was away on a trouble-shooting mission for ICI in, of all places, Bahrein.
The symmetry of this helped Pirate relax about it some. They would attend parties
as strangers, though she never learned to arm herself against unexpected sight of
him across a room (trying to belong, as if he were not someone’s employee). She found
him touching in his ignorance of everything—partying, love, money—felt worldly and
desperately caring for this moment of boyhood among his ways imperialized and set
(he was 33), his pre-Austerity, in which Scorpia figured as his Last Fling—though
herself too young to know
that
, to know, like Pirate, what the lyrics to “Dancing in the Dark” are
really
about. . . .
He will be scrupulous about never telling her. But there are times when it’s agony
not to go to her feet, knowing she won’t leave Clive, crying
you’re my last chance . . . if it can’t be you then there’s no more time. . . .
Doesn’t he wish, against all hope, that he
could
let the poor, Western-man’s timetable go . . . but how does a man . . . where does
he even begin, at age 33. . . . “But that’s just
it,
” she’d have laughed, not so much annoyed (she
would have
laughed) as tickled by the unreality of the problem—herself too lost at the manic
edge of him, always at
engage
, so taking, cleaving her (for more than when jerking off into an Army flannel in
the Persian Gulf was some collar of love’s nettles now
at
him, at his cock), too unappeasable for her not to give in to the insanity of, but
too
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