talk to her. A man, a customer, is standing next to both of âem with no shirt on.
âDidnât you hear me call you!â Cynthia say to me. âGet me some towels.â
I go to the cupboard inside the room, can see Bernadette shaking now. She got throw-up on the front of her dress and in her brown hair. She ainât much older than me. Cynthia found her at the train station with no money, no food. Been here two months working but she cainât stand no man touching her if she ainât had her medicine. Cynthia make it for her by mixing coca leaves in a shot of whiskey. Said Bernadette cainât live without it. Itâs the only thing that stops her from rubbing her arms and from being afraid of the dark, and men, and makes her yes come easier.
âWhatâd you do to her, Jessup!â Cynthia asks that man.
âI swear I ainât touched her, Cynthia. I took my shirt off and she started screaming hysterical. I swear it!â
âI told you she wasnât ready to come off it,â she tell Sam.
I hand her the towels.
âDamn if I donât have to go back to that apothecary every month for you.â
Cynthia wipes Bernadetteâs face. Her hair. Bernadette whispers something.
âIâm sorry,â is what I think she said.
âOh, you will get off it!â Cynthia say. âThis ainât a drug den and you ainât staying here free. Sam, watch her âtil I get back.â
Cynthia gets up and starts past me through the door. She stops. âAnd you donât go nowhere but upside this house working âtil Iâm back. You hear me?â
âYesâm,â I say.
T HIS MY GARDEN .
My piece of life.
When Iâm in, I feel like it belongs to me.
Thatâs how I pretend. How I know I belong someplace. âCause one day, weâll all be dirt again.
I fill my apron with all my vegetables. Two sweet potatoes. An onion. I donât move when a shadow slides across the ground in front of me. Iâve learned to ignore the fools who taunt me hereâname calling, cursing, and those that hide in dark corners.
I hold tight to the sides of my pregnant apron, close my eyes.
He touches my shoulder.
I still donât move. I hear his footsteps come around in front of me. Just Johnny. The eight-year-old boy that Cynthia dance with. Her son. He squats down beside me with his hands on his knees. Got painted clay marbles peeking between his knuckles like dry fish eyes.
Sunlight floods his red hair and bursts an orange halo around his head while joined-together freckles start a stripe of brown across the center of his face, exploding in specks of auburn and sticking to all the white skin I can see. Even his bare feet are singed.
He picks up my sweet potato, flashing three of his knuckles, all of âem got picked-off scabs. He puts the vegetable in my hand.
I donât know what to say.
I hold my throat, show him I cainât talk to thank him, nod my head instead.
He rubs his tired eyes. The bags underneath âem are purple and black. Like he ainât slept in days. Cat naps is all he get and when heâs behind the bar asleep on the floor, heâll shoot straight up awake sometimes,probably reliving his daytimes in his nightmaresâbecause daytimes is when most the men come for his momma. Men, he cainât stop.
I saw him attack a grown man once.
I came in from fetching eggs; started my day in darkness and found him waiting like a cowboy at high noon. He had readied hisself for the man to come out his mommaâs bedroom, had his painted clay marbles between his knuckles then, too. He caught me watching him so I smiled. He turned away from me, focused.
I hid myself behind Bernadetteâs door. From there, I watched the boy watch the man through the crack of his mommaâs door. Her noise-making wasnât motherly. Only the parlor music that spilled in the hall offered relief.
But when Man finished his
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